Artist profile
Parashoot is a UK garage and bassline producer working within the contemporary underground electronic music landscape. Their work engages with the rhythmic and textural conventions of garage and bassline traditions.
Plan a set with parashoot tracks scored against the rest of the catalog
parashoot is a moderate-energy with strong groove and drive and a bright production artist.
Sits right in the typical UK Garage / Bassline pocket.
Across 8 analysed tracks, parashoot averages 82% groove — groovier than 75% of individual UK Garage / Bassline tracks — and 54% energy, harder than 65%.
Measured against 7,890 UK Garage / Bassline tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between parashoot’s 8 analysed tracks and every track by 12,460 other artists. 68 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
32 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 7 different parashoot tracks.
Take Me Up → Lost In Your Eyes · 11A → 11A · −1 BPM · 88 chemistry
31 of the 152 transitions between these catalogues reach 80 chemistry. Chance would give 0.9. They come from 7 different parashoot tracks.
Take Me Up → Faster · 11A → 11A · +1 BPM · 90 chemistry
24 of the 248 transitions between these catalogues reach 80 chemistry. Chance would give 1.4. They come from 6 different parashoot tracks.
Take Warning → Dead or Alive · 11A → 12A · −1 BPM · 88 chemistry
22 of the 248 transitions between these catalogues reach 80 chemistry. Chance would give 1.4. They come from 8 different parashoot tracks.
Beat The System → Be Alone (Vocal Mix) · 12B → 12A · +1 BPM · 87 chemistry
25 of the 120 transitions between these catalogues reach 80 chemistry. Chance would give 0.7. They come from 6 different parashoot tracks.
Get Back → Pop Da Molly · 8A → 8A · −2 BPM · 89 chemistry
39 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 7 different parashoot tracks.
Beat The System → Hear The Music - Blakk Habit Remix · 12B → 1A · same BPM · 90 chemistry
25 of the 208 transitions between these catalogues reach 80 chemistry. Chance would give 1.2. They come from 7 different parashoot tracks.
Take Me Up → Bandito · 11A → 10A · −1 BPM · 88 chemistry
28 of the 272 transitions between these catalogues reach 80 chemistry. Chance would give 1.6. They come from 7 different parashoot tracks.
Take Me Up → Deception · 11A → 12A · −3 BPM · 86 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to parashoot by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around parashoot, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
parashoot's tracks in our catalog range from 67 to 140 BPM, with a median of 135 BPM. Across 8 tracks, the most common range falls in the 135–140 BPM bucket.
parashoot's tracks are mostly in minor keys (63% minor across 8 tracks). The most common single key is 8A (A Minor) with 2 tracks.
We scored every transition between parashoot's 8 analysed tracks and every track by 12,460 other artists. 68 catalogues clear the bar by more than chance would give, and Daffy, Gemi, Mikey B are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Take Me Up into Lost In Your Eyes, 11A to 11A, 88 chemistry.
parashoot sits closest to Macarite, Nov1k, Auramatic in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.