Artist profile
Osmosis Jones is a UK garage and bassline producer working within the contemporary electronic music landscape. His work engages with the rhythmic and sonic conventions of the genre, characterized by syncopated drums and deep low-end frequencies.
Compare with another artistPlan a set with Osmosis Jones tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Osmosis Jones is a moderate-energy with strong groove and drive and a bright production artist.
Sits right in the typical UK Garage / Bassline pocket.
Across 15 analysed tracks, Osmosis Jones averages 55% energy — harder than 66% of individual UK Garage / Bassline tracks — and 76% groove, groovier than 66%.
Measured against 7,890 UK Garage / Bassline tracks on 11 August 2026.
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We scored every transition between Osmosis Jones’s 15 analysed tracks and every track by 12,460 other artists. 165 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
43 of the 600 transitions between these catalogues reach 80 chemistry. Chance would give 3.4. They come from 12 different Osmosis Jones tracks.
46 of the 420 transitions between these catalogues reach 80 chemistry. Chance would give 2.4. They come from 13 different Osmosis Jones tracks.
Tonight's The Night - Extended Mix → Proper Knees Up - Extended Mix · 1A → 2A · +1 BPM · 89 chemistry
45 of the 285 transitions between these catalogues reach 80 chemistry. Chance would give 1.6. They come from 11 different Osmosis Jones tracks.
Auto Sequence → Take It · 10A → 9B · same BPM · 93 chemistry
76 of the 600 transitions between these catalogues reach 80 chemistry. Chance would give 3.4. They come from 13 different Osmosis Jones tracks.
Auto Sequence → Bottle Cap - D: Power Remix · 10A → 10A · same BPM · 93 chemistry
53 of the 555 transitions between these catalogues reach 80 chemistry. Chance would give 3.2. They come from 13 different Osmosis Jones tracks.
Back On Up → 95 Selection · 8A → 7A · same BPM · 89 chemistry
46 of the 390 transitions between these catalogues reach 80 chemistry. Chance would give 2.2. They come from 12 different Osmosis Jones tracks.
54 of the 600 transitions between these catalogues reach 80 chemistry. Chance would give 3.4. They come from 12 different Osmosis Jones tracks.
Hellraiser → Harmony · 9B → 9A · −2 BPM · 88 chemistry
48 of the 510 transitions between these catalogues reach 80 chemistry. Chance would give 2.9. They come from 11 different Osmosis Jones tracks.
Pop Da Molly → Gassed · 8A → 8A · −2 BPM · 90 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Osmosis Jones by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Osmosis Jones, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Osmosis Jones's tracks in our catalog range from 130 to 138 BPM, with a median of 134 BPM. Across 15 tracks, the most common range falls in the 135–140 BPM bucket.
Osmosis Jones's tracks are mostly in minor keys (73% minor across 15 tracks). The most common single key is 11A (F♯ Minor) with 3 tracks.
We scored every transition between Osmosis Jones's 15 analysed tracks and every track by 12,460 other artists. 165 catalogues clear the bar by more than chance would give, and Daffy, DJ Jackum, Gemi are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Rubadub into Warped, 10B to 11A, 90 chemistry.
Osmosis Jones sits closest to ODF, Skeptic, Cotto in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Osmosis Jones releases spanning 2024 to 2025, with the most tracks from the 2020s.