Artist profile
140 / Deep Dubstep / Grime producer and DJ.
Plan a set with Opus tracks scored against the rest of the catalog
Opus is a moderate-energy — mostly instrumental artist.
Sits right in the typical 140 / Deep Dubstep / Grime pocket.
Across 12 analysed tracks, Opus averages 33% groove — straighter than 65% of individual 140 / Deep Dubstep / Grime tracks — and 59% energy, harder than 62%.
Measured against 4,816 140 / Deep Dubstep / Grime tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Opus’s 12 analysed tracks and every track by 12,460 other artists. 71 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
25 of the 456 transitions between these catalogues reach 80 chemistry. Chance would give 2.6. They come from 7 different Opus tracks.
Steppes → You See Me · 7A → 8A · same BPM · 88 chemistry
23 of the 348 transitions between these catalogues reach 80 chemistry. Chance would give 2.0. They come from 11 different Opus tracks.
Sharpie → Grinding Ft. High Tara · 4A → 4A · +1 BPM · 90 chemistry
31 of the 480 transitions between these catalogues reach 80 chemistry. Chance would give 2.8. They come from 9 different Opus tracks.
Grassfruit → Fingerprint · 2A → 3A · same BPM · 88 chemistry
24 of the 480 transitions between these catalogues reach 80 chemistry. Chance would give 2.8. They come from 9 different Opus tracks.
Voice - Mystic State Remix → Fools Gold · 9A → 8B · −1 BPM · 89 chemistry
22 of the 252 transitions between these catalogues reach 80 chemistry. Chance would give 1.4. They come from 7 different Opus tracks.
Voice - Mystic State Remix → All Night Press · 9A → 8A · same BPM · 89 chemistry
22 of the 180 transitions between these catalogues reach 80 chemistry. Chance would give 1.0. They come from 8 different Opus tracks.
Voice - Mystic State Remix → Lux Cannon · 9A → 9A · same BPM · 92 chemistry
34 of the 312 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 9 different Opus tracks.
23 of the 480 transitions between these catalogues reach 80 chemistry. Chance would give 2.8. They come from 9 different Opus tracks.
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Opus by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Opus, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Opus's tracks in our catalog range from 65 to 140 BPM, with a median of 88 BPM. Across 12 tracks, the most common range falls in the 90–95 BPM bucket.
Opus's tracks are mostly in minor keys (83% minor across 12 tracks). The most common single key is 4A (F Minor) with 4 tracks.
We scored every transition between Opus's 12 analysed tracks and every track by 12,460 other artists. 71 catalogues clear the bar by more than chance would give, and Abstrakt Sonance, An-ten-nae, Cam Lasky are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Steppes into You See Me, 7A to 8A, 88 chemistry.
Opus sits closest to Michael Sembello, Paul Engemann, Fr David in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.