Artist profile
Ominousboy is a techno producer working in peak-time and driving styles. His work emphasizes hypnotic rhythmic structures and sustained tension characteristic of contemporary dance floor techno.
Plan a set with Ominousboy tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Ominousboy is a high-energy with strong drive artist.
Higher drive but lower groove than typical Techno (Peak Time / Driving).
Across 8 analysed tracks, Ominousboy averages 39% groove — straighter than 90% of individual Techno (Peak Time / Driving) tracks — and 88% energy, harder than 82%.
Measured against 25,003 Techno (Peak Time / Driving) tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Ominousboy’s 8 analysed tracks and every track by 12,460 other artists. 32 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
15 of the 288 transitions between these catalogues reach 80 chemistry. Chance would give 1.6. They come from 4 different Ominousboy tracks.
Gravitational Redshift → Bizarre Blue · 11B → 11A · same BPM · 87 chemistry
17 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 6 different Ominousboy tracks.
Depth Of Existence → FLORESTA FUNK · 2A → 2A · +1 BPM · 88 chemistry
18 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 6 different Ominousboy tracks.
Gravitational Redshift → End Of Time - Extended Mix · 11B → 12B · same BPM · 87 chemistry
18 of the 256 transitions between these catalogues reach 80 chemistry. Chance would give 1.5. They come from 7 different Ominousboy tracks.
Quantum Drift → Damage · 9A → 9B · +2 BPM · 86 chemistry
14 of the 240 transitions between these catalogues reach 80 chemistry. Chance would give 1.4. They come from 5 different Ominousboy tracks.
Gravitational Redshift → Neon Space · 11B → 12B · same BPM · 86 chemistry
15 of the 296 transitions between these catalogues reach 80 chemistry. Chance would give 1.7. They come from 5 different Ominousboy tracks.
18 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 6 different Ominousboy tracks.
Obscure Universe → Dark Energy - Extended Version · 7A → 7A · −2 BPM · 91 chemistry
14 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 7 different Ominousboy tracks.
Gravitational Redshift → Kobra Killer · 11B → 12B · same BPM · 87 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Ominousboy by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Ominousboy, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Ominousboy's tracks in our catalog range from 130 to 155 BPM, with a median of 131 BPM. Across 8 tracks, the most common range falls in the 130–135 BPM bucket.
Ominousboy's tracks are mostly in minor keys (50% minor across 8 tracks). The most common single key is 2A (E♭ Minor) with 1 track.
We scored every transition between Ominousboy's 8 analysed tracks and every track by 12,460 other artists. 32 catalogues clear the bar by more than chance would give, and Balthazar & JackRock, HI-LO, NoNameLeft are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Gravitational Redshift into Bizarre Blue, 11B to 11A, 87 chemistry.
Ominousboy sits closest to Broken Robot, Dynamic Phase, Demon Noise in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
