Artist profile
Nathan Fake is an electronic music producer working primarily in ambient and experimental electronica. His work emphasizes textural synthesis and intricate sound design within minimalist frameworks.
Compare with another artistPlan a set with Nathan Fake tracks scored against the rest of the catalog
Nathan Fake is a moderate-energy and a bright production — mostly instrumental artist.
Sits right in the typical Electronica pocket.
Across 18 analysed tracks, Nathan Fake averages 49% energy — harder than 61% of individual Electronica tracks — and 57% groove, groovier than 58%.
Measured against 14,430 Electronica tracks on 11 August 2026.
Most tracks sit between 65–165 BPM with a median of 126 · predominantly minor keys (61% minor) · most common key: 6A (G Minor) with 2 tracks.
How Nathan Fake’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Electronica tempo.
Across Nathan Fake's catalog, tempos have eased from ~136 to ~126 BPM.

Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Nathan Fake’s 18 analysed tracks and every track by 12,460 other artists. 52 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
16 of the 720 transitions between these catalogues reach 80 chemistry. Chance would give 4.1. They come from 3 different Nathan Fake tracks.
18 of the 666 transitions between these catalogues reach 80 chemistry. Chance would give 3.8. They come from 5 different Nathan Fake tracks.
The Sky Was Pink - Holden Remix → Diabolos · 5B → 6A · −1 BPM · 82 chemistry
19 of the 720 transitions between these catalogues reach 80 chemistry. Chance would give 4.1. They come from 5 different Nathan Fake tracks.
25 of the 720 transitions between these catalogues reach 80 chemistry. Chance would give 4.1. They come from 7 different Nathan Fake tracks.
SmallCityLights → Emergence - Extended Mix · 10B → 10B · +5 BPM · 82 chemistry
15 of the 720 transitions between these catalogues reach 80 chemistry. Chance would give 4.1. They come from 7 different Nathan Fake tracks.
The Sky Was Pink - Holden Remix → La Fabrica - Warehouse Mix · 5B → 5A · −2 BPM · 83 chemistry
16 of the 612 transitions between these catalogues reach 80 chemistry. Chance would give 3.5. They come from 4 different Nathan Fake tracks.
14 of the 342 transitions between these catalogues reach 80 chemistry. Chance would give 2.0. They come from 6 different Nathan Fake tracks.
15 of the 594 transitions between these catalogues reach 80 chemistry. Chance would give 3.4. They come from 6 different Nathan Fake tracks.
The Sky Was Pink - Holden Remix → Common Sense · 5B → 7A · same BPM · 84 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Nathan Fake by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Nathan Fake, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Nathan Fake's tracks in our catalog range from 65 to 165 BPM, with a median of 126 BPM. Across 18 tracks, the most common range falls in the 125–130 BPM bucket.
Nathan Fake's tracks are mostly in minor keys (61% minor across 18 tracks). The most common single key is 6A (G Minor) with 2 tracks.
We scored every transition between Nathan Fake's 18 analysed tracks and every track by 12,460 other artists. 52 catalogues clear the bar by more than chance would give, and Alex O'Rion, Darin Epsilon, Guy J are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: The Sky Was Pink - Holden Remix into Diabolos, 5B to 6A, 82 chemistry.
Nathan Fake sits closest to Avus, James Holden, Meta83 in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Nathan Fake releases spanning 2003 to 2026, with the most tracks from the 2000s.