Artist profile
John Tejada is an electronic music producer and DJ known for his work in minimal techno and house music. He has released music across various independent labels and is recognized for his contributions to the electronica underground scene.
Compare with another artistPlan a set with John Tejada tracks scored against the rest of the catalog
John Tejada is a restrained with strong groove — mostly instrumental artist.
Unusually low energy for Tech House.
Across 106 analysed tracks, John Tejada averages 40% energy — gentler than 94% of individual Tech House tracks — and 75% groove, straighter than 57%.
Measured against 25,372 Tech House tracks on 11 August 2026.
Most tracks sit between 67–164 BPM with a median of 127 · predominantly minor keys (66% minor) · most common key: 8A (A Minor) with 11 tracks.
How John Tejada’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Tech House tempo.
Across John Tejada's catalog, production has darkened.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between John Tejada’s 40 analysed tracks and every track by 12,460 other artists. 1,937 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
106 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 22 different John Tejada tracks.
Performance Review → Venus · 8A → 8A · +1 BPM · 91 chemistry
91 of the 1,400 transitions between these catalogues reach 80 chemistry. Chance would give 8.0. They come from 22 different John Tejada tracks.
We Can Pretend - Instrumental Version → She's A Replicant · 7A → 7A · +1 BPM · 90 chemistry
98 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 25 different John Tejada tracks.
Acid Stroll → Luna · 8B → 8B · −1 BPM · 90 chemistry
102 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 26 different John Tejada tracks.
100 of the 1,400 transitions between these catalogues reach 80 chemistry. Chance would give 8.0. They come from 24 different John Tejada tracks.
Room Tone → As the sun Rose · 4A → 4A · −2 BPM · 92 chemistry
97 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 22 different John Tejada tracks.
Fashion Avenue → Red Alert · 4A → 4A · −3 BPM · 89 chemistry
96 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 25 different John Tejada tracks.
Folding Room → Forgotten Valley · 5A → 5A · +1 BPM · 89 chemistry
99 of the 1,240 transitions between these catalogues reach 80 chemistry. Chance would give 7.1. They come from 23 different John Tejada tracks.
Room Tone → Aftershock · 4A → 5A · same BPM · 92 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to John Tejada by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around John Tejada, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
John Tejada's tracks in our catalog range from 67 to 164 BPM, with a median of 127 BPM. Across 106 tracks, the most common range falls in the 125–130 BPM bucket.
John Tejada's tracks are mostly in minor keys (66% minor across 106 tracks). The most common single key is 8A (A Minor) with 11 tracks.
We scored every transition between John Tejada's 40 analysed tracks and every track by 12,460 other artists. 1,937 catalogues clear the bar by more than chance would give, and Aney F., Ben Rau, Daniel Meister are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Performance Review into Venus, 8A to 8A, 91 chemistry.
John Tejada sits closest to Robag Wruhme, Efdemin, Michael Mayer in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has John Tejada releases spanning 1998 to 2026, with the most tracks from the 2000s.