Artist profile
Minimal / Deep Tech producer and DJ.
Plan a set with Misha (US) tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Misha (US) is a high-energy with strong groove and drive artist.
Sits right in the typical Minimal / Deep Tech pocket.
Across 14 analysed tracks, Misha (US) averages 68% groove — straighter than 81% of individual Minimal / Deep Tech tracks — and 64% energy, harder than 75%.
Measured against 22,121 Minimal / Deep Tech tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Misha (US)’s 14 analysed tracks and every track by 12,460 other artists. 843 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
84 of the 560 transitions between these catalogues reach 80 chemistry. Chance would give 3.2. They come from 11 different Misha (US) tracks.
Subliminal Acid → G Spott · 5A → 5A · −2 BPM · 90 chemistry
61 of the 560 transitions between these catalogues reach 80 chemistry. Chance would give 3.2. They come from 13 different Misha (US) tracks.
62 of the 560 transitions between these catalogues reach 80 chemistry. Chance would give 3.2. They come from 9 different Misha (US) tracks.
Delicious → Can't Sleep Alone · 7A → 7A · +1 BPM · 91 chemistry
73 of the 560 transitions between these catalogues reach 80 chemistry. Chance would give 3.2. They come from 11 different Misha (US) tracks.
In My Head → Tocame · 6A → 5A · −1 BPM · 91 chemistry
62 of the 560 transitions between these catalogues reach 80 chemistry. Chance would give 3.2. They come from 13 different Misha (US) tracks.
In My Head → Suite · 6A → 7A · same BPM · 92 chemistry
56 of the 504 transitions between these catalogues reach 80 chemistry. Chance would give 2.9. They come from 12 different Misha (US) tracks.
54 of the 392 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 9 different Misha (US) tracks.
Subliminal Acid → Sin · 5A → 4B · same BPM · 90 chemistry
60 of the 532 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 13 different Misha (US) tracks.
Let's Ride → Disco Stick · 6B → 6B · same BPM · 92 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Misha (US) by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Misha (US), then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Misha (US)'s tracks in our catalog range from 128 to 132 BPM, with a median of 130 BPM. Across 14 tracks, the most common range falls in the 130–135 BPM bucket.
Misha (US)'s tracks are mostly in minor keys (71% minor across 14 tracks). The most common single key is 7A (D Minor) with 2 tracks.
We scored every transition between Misha (US)'s 14 analysed tracks and every track by 12,460 other artists. 843 catalogues clear the bar by more than chance would give, and Ben Murphy, BizZa, Daniel Orpi are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Subliminal Acid into G Spott, 5A to 5A, 90 chemistry.
Misha (US) sits closest to Sandor, Will Taylor (UK) in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
