Artist profile
Electro (Classic / Detroit / Modern) producer and DJ.
Plan a set with Mike Devious tracks scored against the rest of the catalog
Mike Devious is a moderate-energy and a bright production artist.
Unusually high brightness and vocal presence for Electro (Classic / Detroit / Modern).
Across 10 analysed tracks, Mike Devious averages 50% energy — harder than 68% of individual Electro (Classic / Detroit / Modern) tracks — and 44% groove, straighter than 57%.
Measured against 4,563 Electro (Classic / Detroit / Modern) tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Mike Devious’s 10 analysed tracks and every track by 12,460 other artists. 66 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
22 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 7 different Mike Devious tracks.
Almost Human → Drop It · 7B → 7B · same BPM · 86 chemistry
35 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 6 different Mike Devious tracks.
Thought U Knew → Bad Boy · 9A → 9A · −2 BPM · 88 chemistry
22 of the 340 transitions between these catalogues reach 80 chemistry. Chance would give 1.9. They come from 7 different Mike Devious tracks.
Slammin → La Raza Cósmica (El Alma) · 5B → 5B · same BPM · 92 chemistry
22 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 7 different Mike Devious tracks.
Floating → All My Time · 8A → 7B · same BPM · 87 chemistry
29 of the 370 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 8 different Mike Devious tracks.
Thought U Knew → DEEP INSIDE · 9A → 10A · same BPM · 91 chemistry
22 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 8 different Mike Devious tracks.
21 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 8 different Mike Devious tracks.
Smacker → The Function · 7B → 9A · same BPM · 85 chemistry
27 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 7 different Mike Devious tracks.
Don't Lie → Disintegrated Shape · 12B → 1A · +2 BPM · 86 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Mike Devious by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Mike Devious, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Mike Devious's tracks in our catalog range from 128 to 138 BPM, with a median of 135 BPM. Across 10 tracks, the most common range falls in the 135–140 BPM bucket.
Mike Devious's tracks are mostly in major keys (20% minor across 10 tracks). The most common single key is 12B (E Major) with 2 tracks.
We scored every transition between Mike Devious's 10 analysed tracks and every track by 12,460 other artists. 66 catalogues clear the bar by more than chance would give, and Bad Legs, Basstyler, Calagad 13 are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Almost Human into Drop It, 7B to 7B, 86 chemistry.
Mike Devious sits closest to Andres Zacco, A+a, Jules Venturini in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.