Artist profile
Electro (Classic / Detroit / Modern) producer and DJ.
Compare with another artistPlan a set with Stanny Abram tracks scored against the rest of the catalog
Stanny Abram is a high-energy and a bright production artist.
Unusually high energy and drive for Electro (Classic / Detroit / Modern).
Across 76 analysed tracks, Stanny Abram averages 71% energy — harder than 96% of individual Electro (Classic / Detroit / Modern) tracks — and 56% groove, groovier than 71%.
Measured against 4,563 Electro (Classic / Detroit / Modern) tracks on 11 August 2026.
Most tracks sit between 81–135 BPM with a median of 128 · predominantly minor keys (74% minor) · most common key: 8A (A Minor) with 20 tracks.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Stanny Abram’s 40 analysed tracks and every track by 12,460 other artists. 1,054 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
56 of the 1,400 transitions between these catalogues reach 80 chemistry. Chance would give 8.0. They come from 12 different Stanny Abram tracks.
The Spinner → To Hit It - Alessio Bianchi Extended Mix · 8A → 8A · +2 BPM · 90 chemistry
62 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 11 different Stanny Abram tracks.
64 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 13 different Stanny Abram tracks.
Pinball Jack → This Is What We Do · 8A → 7A · same BPM · 90 chemistry
60 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 11 different Stanny Abram tracks.
Perception → LETS GET ILL · 8A → 8A · −1 BPM · 92 chemistry
54 of the 1,200 transitions between these catalogues reach 80 chemistry. Chance would give 6.9. They come from 10 different Stanny Abram tracks.
Pinball Jack → Nothing To Say - Fhaken Remix · 8A → 8A · +1 BPM · 90 chemistry
60 of the 1,240 transitions between these catalogues reach 80 chemistry. Chance would give 7.1. They come from 10 different Stanny Abram tracks.
Pinball Jack → Sequin - Za__Paradigma Remix · 8A → 9A · same BPM · 92 chemistry
57 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 13 different Stanny Abram tracks.
Brother → Wait To Marx - Extended Mix · 7A → 7A · −1 BPM · 90 chemistry
64 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 9 different Stanny Abram tracks.
Pinball Jack → Undertaker · 8A → 8A · same BPM · 93 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Stanny Abram by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Stanny Abram, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Stanny Abram's tracks in our catalog range from 81 to 135 BPM, with a median of 128 BPM. Across 76 tracks, the most common range falls in the 130–135 BPM bucket.
Stanny Abram's tracks are mostly in minor keys (74% minor across 76 tracks). The most common single key is 8A (A Minor) with 20 tracks.
We scored every transition between Stanny Abram's 40 analysed tracks and every track by 12,460 other artists. 1,054 catalogues clear the bar by more than chance would give, and Alessandro Diruggiero, Andrew Meller, Bassel Darwish are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: The Spinner into To Hit It - Alessio Bianchi Extended Mix, 8A to 8A, 90 chemistry.
Stanny Abram sits closest to Prok & Fitch, Vertigini, Stefano Noferini in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.