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Artist profile

Matt Robertson

Trance (Main Floor) producer and DJ.

10 tracksTrance (Main Floor)
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DJ terms on this page: Chemistry · Extended mix · Remix · VIP · Full glossary

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Album artwork via Spotify® and Beatport

Music previews provided courtesy of iTunes · Listen on Apple Music

Sound profile

EnergyDriveGrooveBrightnessWarmthVocal

Matt Robertson is a high-energy with strong groove and drive and a bright production artist.

This artistTypical Trance (Main Floor)
Signature sound

Sits right in the typical Trance (Main Floor) pocket.

How this compares to Trance (Main Floor)

Across 10 analysed tracks, Matt Robertson averages 79% groove — groovier than 76% of individual Trance (Main Floor) tracks — and 74% energy, harder than 64%.

Measured against 21,919 Trance (Main Floor) tracks on 11 August 2026.

Key & BPM profile

Most tracks sit between 71–142 BPM with a median of 142 · predominantly minor keys (90% minor) · most common key: 4A (F Minor) with 4 tracks.

BPM spread
70–74
1
95–99
1
130–134
1
140–144
7
Key distribution
1A11B2A2B13A13B4A44B5A5B6A6B7A7B8A8B9A19B10A10B11A211B12A12B

Tracks in catalog

10 total · sortable
Remember - Extended album art
Remember - Extended
Matt Robertson
142 BPM · 4A · Trance (Main Floor) · 100% Peak time
Trance (Main Floor)
142
4A · F min
100%Peak time
—
Amnesia - Extended Mix album art
Amnesia - Extended Mix
Matt Robertson
142 BPM · 9A · Trance (Main Floor) · 86% Peak time
Trance (Main Floor)
142
9A · E min
86%Peak time
—
Sunstruck - Extended album art
Sunstruck - Extended
Matt Robertson
142 BPM · 1A · Trance (Main Floor) · 59% Builder
Trance (Main Floor)
142
1A · A♭ min
59%Builder
—
Starburst - Extended Mix album art
Starburst - Extended Mix
Matt Robertson
142 BPM · 4A · Trance (Main Floor) · 100% Peak time
Trance (Main Floor)
142
4A · F min
100%Peak time
—
Substance - Extended Mix album art
Substance - Extended Mix
Matt Robertson
95 BPM · 4A · Trance (Main Floor) · 64% Builder
Trance (Main Floor)
95
4A · F min
64%Builder
—
Isolated - Extended Mix album art
Isolated - Extended Mix
Matt Robertson
142 BPM · 11A · Trance (Main Floor) · 47% Sustainer
Trance (Main Floor)
142
11A · F♯ min
47%Sustainer
—
Overtime - Extended Mix album art
Overtime - Extended Mix
Matt Robertson
130 BPM · 3A · Techno (Peak Time / Driving) · 84% Peak time
Techno (Peak Time / Driving)
130
3A · B♭ min
84%Peak time
—
Somewhere - Extended Mix album art
Somewhere - Extended Mix
Matt Robertson
71 BPM · 4A · Trance (Main Floor) · 64% Builder
Trance (Main Floor)
71
4A · F min
64%Builder
—
Afterthought - Extended Mix album art
Afterthought - Extended Mix
Matt Robertson
142 BPM · 2B · Trance (Main Floor) · 91% Peak time
Trance (Main Floor)
142
2B · F♯ maj
91%Peak time
—
Falling - Extended Mix album art
Falling - Extended Mix
Matt Robertson
142 BPM · 11A · Trance (Main Floor) · 49% Sustainer
Trance (Main Floor)
142
11A · F♯ min
49%Sustainer
—

Missing one of theirs?

We'll add it — the artist is already in the catalogue, so it lands fast

Artists that mix with Matt Robertson

We scored every transition between Matt Robertson’s 10 analysed tracks and every track by 12,460 other artists. 217 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.

Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.

Alan Morris

28 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 9 different Matt Robertson tracks.

Remember - Extended → Galactica - Extended Mix · 4A → 5A · −4 BPM · 89 chemistry

Andre Visior

30 of the 230 transitions between these catalogues reach 80 chemistry. Chance would give 1.3. They come from 9 different Matt Robertson tracks.

Afterthought - Extended Mix → Hallucination - Extended Mix · 2B → 1B · −2 BPM · 88 chemistry

Lostly

42 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 9 different Matt Robertson tracks.

Afterthought - Extended Mix → Second Sight · 2B → 2B · −2 BPM · 90 chemistry

Miroslav Vrlik

29 of the 370 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 9 different Matt Robertson tracks.

Afterthought - Extended Mix → Climax - Steve Allen Extended Remix · 2B → 2B · −4 BPM · 88 chemistry

Nikolauss

35 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 8 different Matt Robertson tracks.

Sunstruck - Extended → Obsidian · 1A → 1A · −2 BPM · 88 chemistry

Paipy

27 of the 210 transitions between these catalogues reach 80 chemistry. Chance would give 1.2. They come from 8 different Matt Robertson tracks.

Falling - Extended Mix → Gravity · 11A → 11A · −2 BPM · 92 chemistry

Peter Miethig

39 of the 310 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 7 different Matt Robertson tracks.

Sunstruck - Extended → Cheerful Time - Extended Mix · 1A → 1A · −2 BPM · 93 chemistry

Temple One

29 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 9 different Matt Robertson tracks.

Amnesia - Extended Mix → Together We Escape · 9A → 8A · −2 BPM · 89 chemistry

Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.

Related artists

Top 15 by similarity

DJs and producers closest to Matt Robertson by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Matt Robertson, then check the chemistry on the pair you actually mix. Eligible names link to their own page.

Tomonakaguchi
100%
Not in our catalog yet
Tyresta
84%
Not in our catalog yet
IKSRE
65%
1 track in catalog · Ambient / Experimental · no artist page yet
Early Fern
55%
Not in our catalog yet
Purple Decades
52%
Not in our catalog yet
Jupi/ter
51%
Not in our catalog yet
Ambienti Coassiali
49%
Not in our catalog yet
Sean Curtis Patrick
46%
Not in our catalog yet
Shingo Mimura
45%
Not in our catalog yet
Konrad Kucz
44%
Not in our catalog yet
Genfukei
42%
Not in our catalog yet
Hatsu
41%
Not in our catalog yet
Alyas
40%
Not in our catalog yet
Tenka
33%
Not in our catalog yet
Mark Rushton
30%
Not in our catalog yet

Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.

FAQ

What BPM does Matt Robertson play at?+

Matt Robertson's tracks in our catalog range from 71 to 142 BPM, with a median of 142 BPM. Across 10 tracks, the most common range falls in the 140–145 BPM bucket.

What key are Matt Robertson's tracks in?+

Matt Robertson's tracks are mostly in minor keys (90% minor across 10 tracks). The most common single key is 4A (F Minor) with 4 tracks.

What artists mix well with Matt Robertson?+

We scored every transition between Matt Robertson's 10 analysed tracks and every track by 12,460 other artists. 217 catalogues clear the bar by more than chance would give, and Alan Morris, Andre Visior, Lostly are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Remember - Extended into Galactica - Extended Mix, 4A to 5A, 89 chemistry.

Which artists share an audience with Matt Robertson?+

Matt Robertson sits closest to Tomonakaguchi, Tyresta, IKSRE in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.