Artist profile
House producer and DJ.
Compare with another artistPlan a set with My Digital Enemy tracks scored against the rest of the catalog
My Digital Enemy is a high-energy with strong groove and drive and a bright production artist.
Sits right in the typical House pocket.
Across 39 analysed tracks, My Digital Enemy averages 69% groove — straighter than 79% of individual House tracks — and 60% energy, harder than 72%.
Measured against 20,959 House tracks on 11 August 2026.
How My Digital Enemy’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical House tempo.
Across My Digital Enemy's catalog, tempos have eased from ~126 to ~120 BPM; vocal content has thinned.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between My Digital Enemy’s 39 analysed tracks and every track by 12,460 other artists. 2,395 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
107 of the 1,560 transitions between these catalogues reach 80 chemistry. Chance would give 8.9. They come from 32 different My Digital Enemy tracks.
Got To Be Strong - Zoltan Kontes Old School Remix → I'm Talking To You feat. Richard Farrell - Extened Mix · 8A → 8A · same BPM · 92 chemistry
117 of the 1,560 transitions between these catalogues reach 80 chemistry. Chance would give 8.9. They come from 23 different My Digital Enemy tracks.
Self Inflicted → Lucifer Hypostasis · 1A → 1A · +2 BPM · 91 chemistry
124 of the 1,560 transitions between these catalogues reach 80 chemistry. Chance would give 8.9. They come from 29 different My Digital Enemy tracks.
New Sensation → Needin' U - Extended Mix · 8A → 8A · −1 BPM · 91 chemistry
110 of the 1,560 transitions between these catalogues reach 80 chemistry. Chance would give 8.9. They come from 29 different My Digital Enemy tracks.
You're The One → Inside - Extended Mix · 12A → 12A · same BPM · 89 chemistry
109 of the 1,560 transitions between these catalogues reach 80 chemistry. Chance would give 8.9. They come from 25 different My Digital Enemy tracks.
Self Inflicted → Baddy On The Floor · 1A → 12A · same BPM · 92 chemistry
138 of the 1,560 transitions between these catalogues reach 80 chemistry. Chance would give 8.9. They come from 32 different My Digital Enemy tracks.
Self Inflicted → Turn Your Love · 1A → 1A · same BPM · 92 chemistry
106 of the 1,560 transitions between these catalogues reach 80 chemistry. Chance would give 8.9. They come from 31 different My Digital Enemy tracks.
To Dust → Mine (Club Mix) - Club Edit · 3B → 4A · −1 BPM · 91 chemistry
112 of the 1,131 transitions between these catalogues reach 80 chemistry. Chance would give 6.5. They come from 27 different My Digital Enemy tracks.
Self Inflicted → Be With You - Extended Mix · 1A → 1A · +2 BPM · 91 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to My Digital Enemy by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around My Digital Enemy, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
My Digital Enemy's tracks in our catalog range from 80 to 128 BPM, with a median of 125 BPM. Across 39 tracks, the most common range falls in the 125–130 BPM bucket.
My Digital Enemy's tracks are mostly in minor keys (82% minor across 39 tracks). The most common single key is 6A (G Minor) with 5 tracks.
We scored every transition between My Digital Enemy's 39 analysed tracks and every track by 12,460 other artists. 2,395 catalogues clear the bar by more than chance would give, and CASSIMM, CEV's, David Morales are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Got To Be Strong - Zoltan Kontes Old School Remix into I'm Talking To You feat. Richard Farrell - Extened Mix, 8A to 8A, 92 chemistry.
My Digital Enemy sits closest to Rene Amesz, Nvoy, Inpetto in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has My Digital Enemy releases spanning 2008 to 2023, with the most tracks from the 2010s.