Artist profile
Mark Barrott is an electronic music producer and DJ known for his work in deep house and ambient electronica. His productions are characterized by minimal, atmospheric soundscapes and subtle rhythmic elements that emphasize mood and texture over complexity.
Compare with another artistPlan a set with Mark Barrott tracks scored against the rest of the catalog
Mark Barrott is a restrained and a warm production — mostly instrumental artist.
Higher warmth but lower energy than typical Electronica.
Across 10 analysed tracks, Mark Barrott averages 29% energy — gentler than 90% of individual Electronica tracks — and 55% groove, groovier than 56%.
Measured against 14,430 Electronica tracks on 11 August 2026.
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We scored every transition between Mark Barrott’s 10 analysed tracks and every track by 12,460 other artists. 5 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 5 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
10 of the 300 transitions between these catalogues reach 80 chemistry. Chance would give 1.7. They come from 6 different Mark Barrott tracks.
Icarus (イカロス) → Bocuma · 8A → 9B · +3 BPM · 85 chemistry
10 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 6 different Mark Barrott tracks.
Cascades (Francois K Mix) → Heartbreak · 9B → 9B · −2 BPM · 88 chemistry
21 of the 390 transitions between these catalogues reach 80 chemistry. Chance would give 2.2. They come from 7 different Mark Barrott tracks.
Schopenhauer's Garden → Melt Close · 8B → 6B · +5 BPM · 82 chemistry
13 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 4 different Mark Barrott tracks.
15 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 9 different Mark Barrott tracks.
Schopenhauer's Garden → Universal Highness · 8B → 8B · same BPM · 83 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Mark Barrott by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Mark Barrott, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Mark Barrott's tracks in our catalog range from 79 to 114 BPM, with a median of 99 BPM. Across 10 tracks, the most common range falls in the 100–105 BPM bucket.
Mark Barrott's tracks are mostly in major keys (30% minor across 10 tracks). The most common single key is 9B (G Major) with 2 tracks.
We scored every transition between Mark Barrott's 10 analysed tracks and every track by 12,460 other artists. 5 catalogues clear the bar by more than chance would give, and Boards Of Canada, Prins Thomas, Section 25 are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Icarus (イカロス) into Bocuma, 8A to 9B, 85 chemistry.
Mark Barrott sits closest to Seahawks, A Vision of Panorama, Jonny Nash in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.