Artist profile
M.in is a tech house producer working within minimal and deep house aesthetics. Their work emphasizes stripped-back production and atmospheric textures characteristic of contemporary tech house.
Compare with another artistPlan a set with M.in tracks scored against the rest of the catalog
M.in is a high-energy with strong groove and drive and a bright production artist.
Sits right in the typical Tech House pocket.
Across 15 analysed tracks, M.in averages 68% groove — straighter than 71% of individual Tech House tracks — and 63% energy, harder than 60%.
Measured against 25,372 Tech House tracks on 11 August 2026.



Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between M.in’s 15 analysed tracks and every track by 12,460 other artists. 714 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
44 of the 600 transitions between these catalogues reach 80 chemistry. Chance would give 3.4. They come from 10 different M.in tracks.
Hands Up → You Must See · 6A → 6A · +2 BPM · 89 chemistry
35 of the 600 transitions between these catalogues reach 80 chemistry. Chance would give 3.4. They come from 9 different M.in tracks.
No Time To Lose → Only To Find · 7B → 7A · same BPM · 88 chemistry
40 of the 585 transitions between these catalogues reach 80 chemistry. Chance would give 3.4. They come from 12 different M.in tracks.
No Time To Lose → Faceblind · 7B → 8A · same BPM · 88 chemistry
40 of the 600 transitions between these catalogues reach 80 chemistry. Chance would give 3.4. They come from 7 different M.in tracks.
No Time To Lose → BREAK IT DOWN · 7B → 7B · +1 BPM · 91 chemistry
46 of the 600 transitions between these catalogues reach 80 chemistry. Chance would give 3.4. They come from 11 different M.in tracks.
Riff - Seff Remix → Our Culture · 6A → 6A · +1 BPM · 91 chemistry
36 of the 600 transitions between these catalogues reach 80 chemistry. Chance would give 3.4. They come from 12 different M.in tracks.
Riff - Seff Remix → Televised - Extended Mix · 6A → 6A · +4 BPM · 90 chemistry
38 of the 600 transitions between these catalogues reach 80 chemistry. Chance would give 3.4. They come from 10 different M.in tracks.
No Time To Lose → Don't Hold Back - Chus & Ceballos Remix · 7B → 7B · +1 BPM · 92 chemistry
40 of the 600 transitions between these catalogues reach 80 chemistry. Chance would give 3.4. They come from 10 different M.in tracks.
No Time To Lose → Analize Your Mind · 7B → 8A · −1 BPM · 91 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to M.in by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around M.in, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
M.in's tracks in our catalog range from 120 to 126 BPM, with a median of 124 BPM. Across 15 tracks, the most common range falls in the 125–130 BPM bucket.
M.in's tracks are mostly in minor keys (60% minor across 15 tracks). The most common single key is 6A (G Minor) with 3 tracks.
We scored every transition between M.in's 15 analysed tracks and every track by 12,460 other artists. 714 catalogues clear the bar by more than chance would give, and Aney F., Bizen Lopez, David Keno are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Hands Up into You Must See, 6A to 6A, 89 chemistry.
M.in sits closest to Phuong Ly, Amee, Phung Khanh Linh in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.