Artist profile
LOST is a dubstep producer working within the darker and more experimental territories of the genre. Their work emphasizes atmospheric sound design and intricate bass architecture, building tension through layered production techniques.
Compare with another artistDJ terms on this page: Chemistry · Extended mix · Remix · VIP · Full glossary
Plan a set with LOST tracks scored against the rest of the catalog
LOST is a moderate-energy — mostly instrumental artist.
Sits right in the typical 140 / Deep Dubstep / Grime pocket.
Across 17 analysed tracks, LOST averages 53% energy — gentler than 59% of individual 140 / Deep Dubstep / Grime tracks.
Measured against 4,816 140 / Deep Dubstep / Grime tracks on 11 August 2026.
Most tracks sit between 70–145 BPM with a median of 140 · predominantly minor keys (71% minor) · most common key: 12A (C♯ Minor) with 3 tracks.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between LOST’s 17 analysed tracks and every track by 12,460 other artists. 212 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
36 of the 680 transitions between these catalogues reach 80 chemistry. Chance would give 3.9. They come from 12 different LOST tracks.
31 of the 629 transitions between these catalogues reach 80 chemistry. Chance would give 3.6. They come from 11 different LOST tracks.
The Dead → Gangstalkers · 3B → 3B · same BPM · 90 chemistry
32 of the 680 transitions between these catalogues reach 80 chemistry. Chance would give 3.9. They come from 6 different LOST tracks.
Rock This → All Or Nothing · 2A → 1B · −5 BPM · 85 chemistry
41 of the 680 transitions between these catalogues reach 80 chemistry. Chance would give 3.9. They come from 13 different LOST tracks.
33 of the 680 transitions between these catalogues reach 80 chemistry. Chance would give 3.9. They come from 7 different LOST tracks.
The Dead → Like A Boss · 3B → 3A · same BPM · 87 chemistry
35 of the 357 transitions between these catalogues reach 80 chemistry. Chance would give 2.0. They come from 9 different LOST tracks.
Get Yours - VIP → Spirit Dub · 2B → 2B · −1 BPM · 88 chemistry
33 of the 663 transitions between these catalogues reach 80 chemistry. Chance would give 3.8. They come from 6 different LOST tracks.
The Dead → West Coast Movement (feat. jPhelpz) · 3B → 3A · same BPM · 87 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to LOST by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around LOST, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
LOST's tracks in our catalog range from 70 to 145 BPM, with a median of 140 BPM. Across 17 tracks, the most common range falls in the 140–145 BPM bucket.
LOST's tracks are mostly in minor keys (71% minor across 17 tracks). The most common single key is 12A (C♯ Minor) with 3 tracks.
We scored every transition between LOST's 17 analysed tracks and every track by 12,460 other artists. 212 catalogues clear the bar by more than chance would give, and Caspa, Dack Janiels, Datsik are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Paranoidz into Run That, 5A to 5A, 85 chemistry.
LOST sits closest to maes, Truth, His Hero Is Gone in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has LOST releases spanning 2001 to 2020, with the most tracks from the 2010s.