Artist profile
Lee Osborne is a techno producer based in California working in peak-time and driving styles. His work centers on propulsive rhythmic frameworks and hypnotic groove structures characteristic of contemporary techno production.
Compare with another artistPlan a set with Lee Osborne (CA) tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Lee Osborne (CA) is a moderate-energy with strong groove and drive artist.
Sits right in the typical Techno (Peak Time / Driving) pocket.
Across 14 analysed tracks, Lee Osborne (CA) averages 65% groove — straighter than 59% of individual Techno (Peak Time / Driving) tracks — and 59% energy, gentler than 56%.
Measured against 25,003 Techno (Peak Time / Driving) tracks on 11 August 2026.
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We scored every transition between Lee Osborne (CA)’s 14 analysed tracks and every track by 12,460 other artists. 347 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
54 of the 364 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 13 different Lee Osborne (CA) tracks.
Inception - Fractious Remix → Sleeping Dogs · 9B → 8B · same BPM · 90 chemistry
54 of the 560 transitions between these catalogues reach 80 chemistry. Chance would give 3.2. They come from 12 different Lee Osborne (CA) tracks.
The Wanted → Full Pressure · 2B → 3A · +3 BPM · 91 chemistry
58 of the 560 transitions between these catalogues reach 80 chemistry. Chance would give 3.2. They come from 12 different Lee Osborne (CA) tracks.
Malfunction → Old School · 11A → 11A · −1 BPM · 93 chemistry
63 of the 560 transitions between these catalogues reach 80 chemistry. Chance would give 3.2. They come from 13 different Lee Osborne (CA) tracks.
Time → Knot Theory · 10A → 9A · same BPM · 89 chemistry
55 of the 546 transitions between these catalogues reach 80 chemistry. Chance would give 3.1. They come from 12 different Lee Osborne (CA) tracks.
Inception - Fractious Remix → Lerduvan · 9B → 10A · −1 BPM · 87 chemistry
54 of the 560 transitions between these catalogues reach 80 chemistry. Chance would give 3.2. They come from 13 different Lee Osborne (CA) tracks.
Inception - Fractious Remix → Behaviour · 9B → 10B · −1 BPM · 89 chemistry
58 of the 546 transitions between these catalogues reach 80 chemistry. Chance would give 3.1. They come from 14 different Lee Osborne (CA) tracks.
Inception - Fractious Remix → Dub Plate · 9B → 10B · +2 BPM · 89 chemistry
61 of the 560 transitions between these catalogues reach 80 chemistry. Chance would give 3.2. They come from 13 different Lee Osborne (CA) tracks.
The Dominion → Fusion · 7A → 7A · +2 BPM · 92 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Lee Osborne (CA) by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Lee Osborne (CA), then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Lee Osborne (CA)'s tracks in our catalog range from 140 to 143 BPM, with a median of 140 BPM. Across 14 tracks, the most common range falls in the 140–145 BPM bucket.
Lee Osborne (CA)'s tracks are mostly in minor keys (57% minor across 14 tracks). The most common single key is 9B (G Major) with 3 tracks.
We scored every transition between Lee Osborne (CA)'s 14 analysed tracks and every track by 12,460 other artists. 347 catalogues clear the bar by more than chance would give, and Alarico, Arnaud Le Texier, Hertz are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Inception - Fractious Remix into Sleeping Dogs, 9B to 8B, 90 chemistry.
Lee Osborne (CA) sits closest to Mino Safy, Dan Thompson, Arisen Flame in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.