
Techno (Peak Time / Driving) · 2026
Mixes well with this track
Checking key, tempo, energy, groove, mood and vocals.
Every recommendation is scored across six dimensions — harmonic key, BPM, energy, texture, mood and vocal compatibility — then refined by 5,000 community-rated transitions from real DJs. That's why each match has a chemistry number and a reason, not just a list of tracks in the same key.
Searching by Lee Osborne (CA) is a bass-heavy Techno (Peak Time / Driving) track at 140 BPM with high drive and balanced groove. At 52% energy, it works as a mid-set sustainer — enough momentum to keep the floor moving.
Released 8 Jun 2026 · 5:29 · 35% mood · -11 dB loudness
The feel
The bass weight is the story here — 97% puts it in the top tier of the catalog. Lead with it.
Where it lives in a set
52% energy places it in the build — the stretch where you're winning the floor, not rewarding it yet.
Lee Osborne is a techno producer based in California working in peak-time and driving styles. His work centers on propulsive rhythmic frameworks and hypnotic groove structures characteristic of contemporary techno…
140
Median BPM
10A
Top key
2026
Active
13
Tracks
140 BPM — squarely in techno (peak time / driving) territory, mixable within roughly 135–145 BPM without pitch artefacts.
B Minor — 10A on the Camelot wheel. Harmonically compatible with 10B, 9A and 11A.
Tracks in 10A, 10B, 9A or 11A between ~135–145 BPM.
Groove sustainer — 52% energy with a steady groove keeps momentum without forcing the energy up. Ideal in the stretches between peaks.
Explore: 140 BPM tracks · 10A tracks · 10A → 10B key pair · Harmonic mixing guide
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Mixes well with this track
Every candidate scored on key, tempo, energy, groove, mood and vocals — the top 5, ranked.
Break
Devid Dega
138 BPM · 10A · Techno (Peak Time / Driving)
Same key · -2 BPM — seamless blend
Break The Cycle - Extended Mix
DARCIA
140 BPM · 9B · Techno (Peak Time / Driving)
Key jump · same BPM — seamless blend
Emotions
Alan Fitzpatrick
140 BPM · 10A · Techno (Peak Time / Driving)
Same key · same BPM — seamless blend
The Quick
Gary Beck
141 BPM · 9B · Techno (Peak Time / Driving)
Key jump · +1 BPM — seamless blend
Everything Collapses
Ellen Allien
141 BPM · 10A · Techno (Peak Time / Driving)
Same key · +1 BPM — seamless blend
10A → 10A
Same key, ±2 BPM. With 56% groove and heavy bass, long blends work — cut the incoming bass until the switch.
Emotions
Alan Fitzpatrick · 140 BPM · 10A
92 chemistry
10A → 10B
Relative major — brighter key, same tonal centre. Pair it with a higher-energy record and the floor keeps moving.
Kiss My Accent
Boston 168 · 140 BPM · 10B
88 chemistry
10A → 9A · 11A
Adjacent keys through a breakdown. This one runs 5:29 — the outro gives you a full phrase to work with.
Abstract Projection
Sicion · 140 BPM · 9A
89 chemistry