Artist profile
Keeld is a bass house producer working within the deeper, rhythmically complex end of the genre. Their sound emphasizes layered synths and driving low-end elements characteristic of contemporary bass house production.
Compare with another artistPlan a set with Keeld tracks scored against the rest of the catalog
Keeld is a high-energy with strong groove and drive and a bright production artist.
Sits right in the typical Bass House pocket.
Across 16 analysed tracks, Keeld averages 62% groove — straighter than 72% of individual Bass House tracks — and 69% energy, harder than 69%.
Measured against 6,041 Bass House tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Keeld’s 16 analysed tracks and every track by 12,460 other artists. 74 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
30 of the 640 transitions between these catalogues reach 80 chemistry. Chance would give 3.7. They come from 11 different Keeld tracks.
Action → Jaws - Phlegmatic Dogs Remix · 2A → 1A · same BPM · 88 chemistry
19 of the 432 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 9 different Keeld tracks.
22 of the 448 transitions between these catalogues reach 80 chemistry. Chance would give 2.6. They come from 8 different Keeld tracks.
26 of the 624 transitions between these catalogues reach 80 chemistry. Chance would give 3.6. They come from 10 different Keeld tracks.
Get Down → Late Night · 8A → 8A · same BPM · 86 chemistry
21 of the 640 transitions between these catalogues reach 80 chemistry. Chance would give 3.7. They come from 8 different Keeld tracks.
Get Down → Church - Extended Mix · 8A → 8A · −3 BPM · 90 chemistry
21 of the 304 transitions between these catalogues reach 80 chemistry. Chance would give 1.7. They come from 10 different Keeld tracks.
Get Down → Scared To Death · 8A → 8A · same BPM · 87 chemistry
20 of the 640 transitions between these catalogues reach 80 chemistry. Chance would give 3.7. They come from 9 different Keeld tracks.
In The Air → Crazy (Plastik Funk & Esox Remix) - Extended Mix · 4A → 4A · +2 BPM · 89 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Keeld by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Keeld, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Keeld's tracks in our catalog range from 123 to 127 BPM, with a median of 126 BPM. Across 16 tracks, the most common range falls in the 125–130 BPM bucket.
Keeld's tracks are mostly in minor keys (81% minor across 16 tracks). The most common single key is 8A (A Minor) with 4 tracks.
We scored every transition between Keeld's 16 analysed tracks and every track by 12,460 other artists. 74 catalogues clear the bar by more than chance would give, and AC Slater, Kage, Knock2 are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Action into Jaws - Phlegmatic Dogs Remix, 2A to 1A, 88 chemistry.
Keeld sits closest to Bellecour, Dillon Nathaniel, Kramder in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.