Artist profile
Justin Timberlake is an American pop singer and actor who rose to prominence as a member of *NSYNC* before launching a successful solo career. His solo work blends pop, R&B, and dance influences, establishing him as a major figure in early 2000s pop music. Beyond music, he has appeared in films and television, maintaining a presence across entertainment.
Compare with another artistPlan a set with Justin Timberlake tracks scored against the rest of the catalog
Justin Timberlake is a moderate-energy with strong groove and a balanced bright/warm production — mostly instrumental artist.
Sits right in the typical Pop pocket.
Across 15 analysed tracks, Justin Timberlake sits within a few points of the Pop median on energy and groove.
Measured against 1,071 Pop tracks on 11 August 2026.
Most tracks sit between 97–149 BPM with a median of 115 · predominantly minor keys (60% minor) · most common key: 9A (E Minor) with 2 tracks.
How Justin Timberlake’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Pop tempo.
Across Justin Timberlake's catalog, warmth has receded; tempos have climbed from ~111 to ~120 BPM.

Missing one of theirs?
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We scored every transition between Justin Timberlake’s 15 analysed tracks and every track by 12,460 other artists. 74 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
18 of the 600 transitions between these catalogues reach 80 chemistry. Chance would give 3.4. They come from 7 different Justin Timberlake tracks.
What Goes Around...Comes Around (Sebastien Leger Remix (Radio Edit)) → Never Forget You - Extended Mix · 8A → 9A · +2 BPM · 89 chemistry
22 of the 435 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 4 different Justin Timberlake tracks.
What Goes Around...Comes Around (Sebastien Leger Remix (Radio Edit)) → Satisfy · 8A → 8A · +2 BPM · 90 chemistry
20 of the 375 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 9 different Justin Timberlake tracks.
What Goes Around...Comes Around (Sebastien Leger Remix (Radio Edit)) → Celebration - Benny Benassi Remix Edit · 8A → 10A · +1 BPM · 85 chemistry
20 of the 600 transitions between these catalogues reach 80 chemistry. Chance would give 3.4. They come from 4 different Justin Timberlake tracks.
The Other Side (from Trolls World Tour) - Oliver Heldens Extended Remix → Losing Focus - AYOR Extended Remix · 7A → 7A · +1 BPM · 89 chemistry
18 of the 345 transitions between these catalogues reach 80 chemistry. Chance would give 2.0. They come from 3 different Justin Timberlake tracks.
The Other Side (from Trolls World Tour) → Last Call - Extended Mix · 7A → 7B · +1 BPM · 87 chemistry
18 of the 495 transitions between these catalogues reach 80 chemistry. Chance would give 2.8. They come from 5 different Justin Timberlake tracks.
The Other Side (from Trolls World Tour) → Love Like You (feat. SHELLS) - Extended Mix · 7A → 8A · +1 BPM · 88 chemistry
20 of the 420 transitions between these catalogues reach 80 chemistry. Chance would give 2.4. They come from 5 different Justin Timberlake tracks.
What Goes Around...Comes Around (Sebastien Leger Remix (Radio Edit)) → Dance With Me - Extended · 8A → 8A · −3 BPM · 88 chemistry
18 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 7 different Justin Timberlake tracks.
The Other Side (from Trolls World Tour) - Oliver Heldens Extended Remix → Oxygen - Lucas Estrada Extended Remix · 7A → 6A · −1 BPM · 87 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Justin Timberlake by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Justin Timberlake, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Justin Timberlake's tracks in our catalog range from 97 to 149 BPM, with a median of 115 BPM. Across 15 tracks, the most common range falls in the 115–120 BPM bucket.
Justin Timberlake's tracks are mostly in minor keys (60% minor across 15 tracks). The most common single key is 9A (E Minor) with 2 tracks.
We scored every transition between Justin Timberlake's 15 analysed tracks and every track by 12,460 other artists. 74 catalogues clear the bar by more than chance would give, and Afrojack, Jazzy, Madonna are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: What Goes Around...Comes Around (Sebastien Leger Remix (Radio Edit)) into Never Forget You - Extended Mix, 8A to 9A, 89 chemistry.
Justin Timberlake sits closest to *NSYNC, Robin Thicke, Timbaland in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Justin Timberlake releases spanning 2003 to 2024, with the most tracks from the 2000s.