Artist profile
Justice is a French electronic music duo known for their heavy, distortion-laden approach to dance and industrial sounds. Emerging from the Paris electronic scene, they blend aggressive synths and bass with club-oriented production, establishing themselves as key figures in the broader indie dance and electro-house movements.
Compare with another artistPlan a set with Justice tracks scored against the rest of the catalog
Justice is a moderate-energy and a bright production artist.
Sits right in the typical Trap / Future Bass pocket.
Across 45 analysed tracks, Justice averages 46% energy — gentler than 83% of individual Trap / Future Bass tracks — and 58% groove, groovier than 82%.
Measured against 8,278 Trap / Future Bass tracks on 11 August 2026.
Most tracks sit between 83–161 BPM with a median of 112 · predominantly minor keys (53% minor) · most common key: 8B (C Major) with 6 tracks.
How Justice’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Trap / Future Bass tempo.
Across Justice's catalog, tempos have climbed from ~96 to ~116 BPM; groove has deepened; energy has lifted.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Justice’s 40 analysed tracks and every track by 12,460 other artists. 99 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
22 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 13 different Justice tracks.
The Music → No Guidance · 12A → 12A · same BPM · 89 chemistry
21 of the 1,080 transitions between these catalogues reach 80 chemistry. Chance would give 6.2. They come from 12 different Justice tracks.
Tell It Like It Is → Comatose · 10A → 10A · −8 BPM · 87 chemistry
24 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 12 different Justice tracks.
21 of the 1,200 transitions between these catalogues reach 80 chemistry. Chance would give 6.9. They come from 10 different Justice tracks.
The Music → Pistol On My Side (P.O.M.S) · 12A → 11A · −1 BPM · 89 chemistry
23 of the 520 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 11 different Justice tracks.
Tell It Like It Is → Duck Sick · 10A → 8B · −3 BPM · 86 chemistry
19 of the 720 transitions between these catalogues reach 80 chemistry. Chance would give 4.1. They come from 9 different Justice tracks.
Latoya → Gangsta Gangsta · 1A → 1A · +9 BPM · 85 chemistry
15 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 10 different Justice tracks.
Flavor → Soul Flower - Remix · 10B → 10B · −1 BPM · 88 chemistry
32 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 12 different Justice tracks.
Slow, Low & Dope → Force · 9B → 9B · +1 BPM · 91 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Justice by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Justice, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Justice's tracks in our catalog range from 83 to 161 BPM, with a median of 112 BPM. Across 45 tracks, the most common range falls in the 110–115 BPM bucket.
Justice's tracks are mostly in minor keys (53% minor across 45 tracks). The most common single key is 8B (C Major) with 6 tracks.
We scored every transition between Justice's 40 analysed tracks and every track by 12,460 other artists. 99 catalogues clear the bar by more than chance would give, and Chris Brown, Foreign Beggars, Future are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: The Music into No Guidance, 12A to 12A, 89 chemistry.
Justice sits closest to SebastiAn, Busy P, Daft Punk in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Justice releases spanning 1986 to 2026, with the most tracks from the 1980s.