Artist profile
John P is a hard techno producer working within the darker, industrial end of the genre. His sound emphasizes stripped-down percussion and driving low-end pressure characteristic of contemporary hard techno aesthetics.
Compare with another artistDJ terms on this page: Chemistry · Extended mix · Remix · VIP · Full glossary
Plan a set with John P tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
John P is a high-energy with strong groove and drive artist.
Sits right in the typical Techno (Peak Time / Driving) pocket.
Across 12 analysed tracks, John P averages 71% energy — harder than 62% of individual Techno (Peak Time / Driving) tracks — and 64% groove, straighter than 61%.
Measured against 25,003 Techno (Peak Time / Driving) tracks on 11 August 2026.
Most tracks sit between 69–155 BPM with a median of 135 · predominantly minor keys (75% minor) · most common key: 8A (A Minor) with 3 tracks.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between John P’s 12 analysed tracks and every track by 12,460 other artists. 304 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
30 of the 480 transitions between these catalogues reach 80 chemistry. Chance would give 2.8. They come from 7 different John P tracks.
31 of the 480 transitions between these catalogues reach 80 chemistry. Chance would give 2.8. They come from 8 different John P tracks.
35 of the 468 transitions between these catalogues reach 80 chemistry. Chance would give 2.7. They come from 6 different John P tracks.
Conditional → Tonkonst · 8A → 7A · +2 BPM · 88 chemistry
31 of the 456 transitions between these catalogues reach 80 chemistry. Chance would give 2.6. They come from 8 different John P tracks.
38 of the 480 transitions between these catalogues reach 80 chemistry. Chance would give 2.8. They come from 6 different John P tracks.
Conditional → Mover · 8A → 8A · same BPM · 90 chemistry
36 of the 468 transitions between these catalogues reach 80 chemistry. Chance would give 2.7. They come from 8 different John P tracks.
38 of the 480 transitions between these catalogues reach 80 chemistry. Chance would give 2.8. They come from 6 different John P tracks.
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to John P by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around John P, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
John P's tracks in our catalog range from 69 to 155 BPM, with a median of 135 BPM. Across 12 tracks, the most common range falls in the 135–140 BPM bucket.
John P's tracks are mostly in minor keys (75% minor across 12 tracks). The most common single key is 8A (A Minor) with 3 tracks.
We scored every transition between John P's 12 analysed tracks and every track by 12,460 other artists. 304 catalogues clear the bar by more than chance would give, and Deas, Drunken Kong, Mattias Fridell are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Alba into Contact, 11B to 11B, 88 chemistry.
John P sits closest to Rudosa, KUSP (UK), Hanubis in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
