Artist profile
James Welsh is a techno producer working in peak-time and driving styles. His work sits within contemporary electronic dance music production focused on functional dancefloor aesthetics.
Compare with another artistPlan a set with James Welsh tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
James Welsh is a moderate-energy with strong groove and drive artist.
Sits right in the typical Techno (Peak Time / Driving) pocket.
Across 15 analysed tracks, James Welsh averages 50% energy — gentler than 80% of individual Techno (Peak Time / Driving) tracks — and 66% groove, straighter than 57%.
Measured against 25,003 Techno (Peak Time / Driving) tracks on 11 August 2026.
Most tracks sit between 91–150 BPM with a median of 128 · predominantly minor keys (67% minor) · most common key: 8B (C Major) with 2 tracks.
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We scored every transition between James Welsh’s 15 analysed tracks and every track by 12,460 other artists. 280 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
23 of the 600 transitions between these catalogues reach 80 chemistry. Chance would give 3.4. They come from 7 different James Welsh tracks.
Standing → Round & Round - Extended Mix · 12A → 11B · −1 BPM · 89 chemistry
31 of the 600 transitions between these catalogues reach 80 chemistry. Chance would give 3.4. They come from 6 different James Welsh tracks.
38 of the 600 transitions between these catalogues reach 80 chemistry. Chance would give 3.4. They come from 8 different James Welsh tracks.
23 of the 465 transitions between these catalogues reach 80 chemistry. Chance would give 2.7. They come from 7 different James Welsh tracks.
Consignia → Singer One · 10A → 9A · +1 BPM · 90 chemistry
23 of the 570 transitions between these catalogues reach 80 chemistry. Chance would give 3.3. They come from 5 different James Welsh tracks.
Man & Minion → Try Me · 1A → 12B · +1 BPM · 90 chemistry
24 of the 600 transitions between these catalogues reach 80 chemistry. Chance would give 3.4. They come from 7 different James Welsh tracks.
24 of the 540 transitions between these catalogues reach 80 chemistry. Chance would give 3.1. They come from 6 different James Welsh tracks.
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to James Welsh by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around James Welsh, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
James Welsh's tracks in our catalog range from 91 to 150 BPM, with a median of 128 BPM. Across 15 tracks, the most common range falls in the 130–135 BPM bucket.
James Welsh's tracks are mostly in minor keys (67% minor across 15 tracks). The most common single key is 8B (C Major) with 2 tracks.
We scored every transition between James Welsh's 15 analysed tracks and every track by 12,460 other artists. 280 catalogues clear the bar by more than chance would give, and Carbon, Cari Lekebusch, Lampe are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Standing into Round & Round - Extended Mix, 12A to 11B, 89 chemistry.
James Welsh sits closest to Medlar, Detroit Swindle, FCL in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has James Welsh releases spanning 2018 to 2023, with the most tracks from the 2020s.
