Artist profile
J Majik is a drum and bass producer and DJ. His work spans the darker and more technical dimensions of the genre, with a focus on intricate breakbeats and atmospheric production.
Compare with another artistPlan a set with J Majik tracks scored against the rest of the catalog
J Majik is a high-energy and a bright production artist.
Sits right in the typical Drum & Bass pocket.
Across 10 analysed tracks, J Majik averages 47% groove — groovier than 66% of individual Drum & Bass tracks.
Measured against 23,150 Drum & Bass tracks on 11 August 2026.
How J Majik’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Drum & Bass tempo.
Across J Majik's catalog, tempos have climbed from ~87 to ~131 BPM; warmth has receded; production has brightened.

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We scored every transition between J Majik’s 10 analysed tracks and every track by 12,460 other artists. 554 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
69 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 8 different J Majik tracks.
Lift Me Up → Cyclone · 7A → 8A · −1 BPM · 91 chemistry
63 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 8 different J Majik tracks.
Love Is Not A Game feat. Kathy Brown - J Majik Rollers Mix → Stay Hungry · 3A → 4A · same BPM · 89 chemistry
69 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 8 different J Majik tracks.
Love Is Not A Game feat. Kathy Brown - J Majik Rollers Mix → Slush Puppeh · 3A → 4A · same BPM · 91 chemistry
67 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 9 different J Majik tracks.
Lift Me Up → How Ft. Dakota Sixx · 7A → 8A · −2 BPM · 90 chemistry
64 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 8 different J Majik tracks.
Crazy World - Extended Edit → Feels Like Summer · 8A → 8A · +1 BPM · 91 chemistry
65 of the 390 transitions between these catalogues reach 80 chemistry. Chance would give 2.2. They come from 7 different J Majik tracks.
Lift Me Up → MYFB · 7A → 7A · −1 BPM · 91 chemistry
69 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 7 different J Majik tracks.
Lift Me Up → Slob · 7A → 7A · same BPM · 93 chemistry
72 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 8 different J Majik tracks.
Lift Me Up → The Arena · 7A → 7A · same BPM · 89 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to J Majik by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around J Majik, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
J Majik's tracks in our catalog range from 86 to 175 BPM, with a median of 87 BPM. Across 10 tracks, the most common range falls in the 85–90 BPM bucket.
J Majik's tracks are mostly in minor keys (90% minor across 10 tracks). The most common single key is 3A (B♭ Minor) with 3 tracks.
We scored every transition between J Majik's 10 analysed tracks and every track by 12,460 other artists. 554 catalogues clear the bar by more than chance would give, and 1991, Amoss, Dub Phizix are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Lift Me Up into Cyclone, 7A to 8A, 91 chemistry.
J Majik sits closest to Lemon D, Hidden Agenda, Doc Scott in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has J Majik releases spanning 2001 to 2019, with the most tracks from the 2010s.