Artist profile
Indecent Noise is a trance producer and DJ known for work within the progressive and uplifting trance spectrum. His productions and DJ sets emphasize melodic elements and driving rhythms characteristic of the main floor trance sound.
Compare with another artistPlan a set with Indecent Noise tracks scored against the rest of the catalog
Indecent Noise is a high-energy with strong groove and drive and a bright production artist.
Sits right in the typical Trance (Main Floor) pocket.
Across 66 analysed tracks, Indecent Noise sits within a few points of the Trance (Main Floor) median on energy and groove.
Measured against 21,919 Trance (Main Floor) tracks on 11 August 2026.
Most tracks sit between 68–150 BPM with a median of 140 · predominantly major keys (29% minor) · most common key: 7B (F Major) with 7 tracks.
How Indecent Noise’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Trance (Main Floor) tempo.
Across Indecent Noise's catalog, tempos have climbed from ~120 to ~143 BPM; warmth has lifted; production has brightened.
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We scored every transition between Indecent Noise’s 40 analysed tracks and every track by 12,460 other artists. 716 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
97 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 31 different Indecent Noise tracks.
Voodoo Child → Our Desire - Hypersia Extended Remix · 3B → 4B · +2 BPM · 90 chemistry
105 of the 1,560 transitions between these catalogues reach 80 chemistry. Chance would give 8.9. They come from 27 different Indecent Noise tracks.
Finish Him - Extended Mix → Origami - Dan Stone Remix · 11B → 11B · −2 BPM · 90 chemistry
101 of the 1,520 transitions between these catalogues reach 80 chemistry. Chance would give 8.7. They come from 29 different Indecent Noise tracks.
JK is Dead - Extended Mix → Azshara - Extended Mix · 9B → 10A · −2 BPM · 89 chemistry
115 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 26 different Indecent Noise tracks.
Go Insane - Extended Mix → When It Ends - Extended · 11B → 11B · −4 BPM · 90 chemistry
99 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 30 different Indecent Noise tracks.
Tremors - Darren Porter Remix → Rhythm of the Universe - Extended Mix · 11B → 12A · same BPM · 92 chemistry
93 of the 1,240 transitions between these catalogues reach 80 chemistry. Chance would give 7.1. They come from 28 different Indecent Noise tracks.
Kernel Panic → I Can Hear You - Extended Mix · 11A → 11A · same BPM · 93 chemistry
92 of the 1,040 transitions between these catalogues reach 80 chemistry. Chance would give 6.0. They come from 26 different Indecent Noise tracks.
Tremors - Darren Porter Remix → Options Open - James Pound Extended Remix · 11B → 11A · same BPM · 89 chemistry
97 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 28 different Indecent Noise tracks.
Elements → Lost Boy - Extended · 7B → 8A · −2 BPM · 90 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Indecent Noise by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Indecent Noise, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Indecent Noise's tracks in our catalog range from 68 to 150 BPM, with a median of 140 BPM. Across 66 tracks, the most common range falls in the 140–145 BPM bucket.
Indecent Noise's tracks are mostly in major keys (29% minor across 66 tracks). The most common single key is 7B (F Major) with 7 tracks.
We scored every transition between Indecent Noise's 40 analysed tracks and every track by 12,460 other artists. 716 catalogues clear the bar by more than chance would give, and DJ T.H., Ferry Tayle, Kenny Palmer are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Voodoo Child into Our Desire - Hypersia Extended Remix, 3B to 4B, 90 chemistry.
Indecent Noise sits closest to Jordan Suckley, Alexandre Bergheau, Matt Bowdidge in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Indecent Noise releases spanning 1998 to 2026, with the most tracks from the 2010s.