Artist profile
Hyper is a breakbeat and UK bass producer working within the breaks and drum and bass continuum. Their work emphasizes intricate rhythmic layering and bass-heavy production characteristic of the broader UK electronic music landscape.
Compare with another artistPlan a set with Hyper tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Hyper is a high-energy with strong drive and a bright production artist.
Unusually high vocal presence and drive for Breaks / Breakbeat / UK Bass.
Across 12 analysed tracks, Hyper averages 65% energy — harder than 84% of individual Breaks / Breakbeat / UK Bass tracks — and 53% groove, groovier than 65%.
Measured against 16,260 Breaks / Breakbeat / UK Bass tracks on 11 August 2026.
How Hyper’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Breaks / Breakbeat / UK Bass tempo.
Across Hyper's catalog, groove has deepened; energy has lifted; production has brightened.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Hyper’s 12 analysed tracks and every track by 12,460 other artists. 162 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
55 of the 480 transitions between these catalogues reach 80 chemistry. Chance would give 2.8. They come from 6 different Hyper tracks.
Resurrection → Drop It · 7A → 7B · same BPM · 87 chemistry
83 of the 480 transitions between these catalogues reach 80 chemistry. Chance would give 2.8. They come from 6 different Hyper tracks.
Resurrection → Fuck It Up · 7A → 7A · −1 BPM · 90 chemistry
56 of the 480 transitions between these catalogues reach 80 chemistry. Chance would give 2.8. They come from 6 different Hyper tracks.
We Control → Good Morning Breakbeat!!! · 7A → 8A · same BPM · 89 chemistry
53 of the 480 transitions between these catalogues reach 80 chemistry. Chance would give 2.8. They come from 8 different Hyper tracks.
We Control → Low Cut Call Back · 7A → 7A · −5 BPM · 89 chemistry
58 of the 480 transitions between these catalogues reach 80 chemistry. Chance would give 2.8. They come from 7 different Hyper tracks.
Resurrection → Parker · 7A → 7A · +1 BPM · 90 chemistry
52 of the 480 transitions between these catalogues reach 80 chemistry. Chance would give 2.8. They come from 6 different Hyper tracks.
Take Me Away - Karl Sav Remix → Out Of My Head · 5A → 5A · −1 BPM · 92 chemistry
55 of the 480 transitions between these catalogues reach 80 chemistry. Chance would give 2.8. They come from 7 different Hyper tracks.
Take Me Away - Karl Sav Remix → Biomech - OVUS Remix · 5A → 5A · +2 BPM · 90 chemistry
51 of the 408 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 6 different Hyper tracks.
We Control → Play Me · 7A → 8A · same BPM · 89 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Hyper by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Hyper, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Hyper's tracks in our catalog range from 88 to 135 BPM, with a median of 129 BPM. Across 12 tracks, the most common range falls in the 130–135 BPM bucket.
Hyper's tracks are mostly in minor keys (50% minor across 12 tracks). The most common single key is 7A (D Minor) with 4 tracks.
We scored every transition between Hyper's 12 analysed tracks and every track by 12,460 other artists. 162 catalogues clear the bar by more than chance would give, and Bad Legs, Basstyler, Digital Base are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Resurrection into Drop It, 7A to 7B, 87 chemistry.
Hyper sits closest to ILS, The Crystal Method, Overseer in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Hyper releases spanning 2005 to 2015, with the most tracks from the 2010s.
