Artist profile
Evil Nine is an electronic music producer working in experimental and ambient electronica. Their sound emphasizes textural synthesis and atmospheric soundscaping within the broader electronic music landscape.
Compare with another artistPlan a set with Evil Nine tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Evil Nine is a moderate-energy — mostly instrumental artist.
Sits right in the typical Breaks / Breakbeat / UK Bass pocket.
Across 12 analysed tracks, Evil Nine averages 55% groove — groovier than 70% of individual Breaks / Breakbeat / UK Bass tracks — and 51% energy, gentler than 60%.
Measured against 16,260 Breaks / Breakbeat / UK Bass tracks on 11 August 2026.
How Evil Nine’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Breaks / Breakbeat / UK Bass tempo.
Across Evil Nine's catalog, groove has thinned; warmth has receded; tempos have eased from ~119 to ~115 BPM.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Evil Nine’s 12 analysed tracks and every track by 12,460 other artists. 86 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
26 of the 480 transitions between these catalogues reach 80 chemistry. Chance would give 2.8. They come from 7 different Evil Nine tracks.
Restless Feat. Toastie Taylor → Still ballin · 6A → 6A · same BPM · 91 chemistry
31 of the 480 transitions between these catalogues reach 80 chemistry. Chance would give 2.8. They come from 8 different Evil Nine tracks.
Restless Feat. Toastie Taylor → Freaky D Key · 6A → 7A · −4 BPM · 86 chemistry
27 of the 480 transitions between these catalogues reach 80 chemistry. Chance would give 2.8. They come from 7 different Evil Nine tracks.
Restless Feat. Toastie Taylor → Everytime The Beat Drop · 6A → 6A · +2 BPM · 90 chemistry
24 of the 480 transitions between these catalogues reach 80 chemistry. Chance would give 2.8. They come from 7 different Evil Nine tracks.
Restless Feat. Toastie Taylor → Rave Danger - Huda Hudia VIP Remix · 6A → 6A · −2 BPM · 91 chemistry
23 of the 276 transitions between these catalogues reach 80 chemistry. Chance would give 1.6. They come from 4 different Evil Nine tracks.
Restless Feat. Toastie Taylor → Red Horns · 6A → 6A · −1 BPM · 93 chemistry
28 of the 480 transitions between these catalogues reach 80 chemistry. Chance would give 2.8. They come from 8 different Evil Nine tracks.
Crooked - Bassbin Twins Remix → U Take Dance - Kid Digital Remix · 10B → 10B · −2 BPM · 86 chemistry
36 of the 480 transitions between these catalogues reach 80 chemistry. Chance would give 2.8. They come from 9 different Evil Nine tracks.
Restless Feat. Toastie Taylor → Freak · 6A → 6A · same BPM · 92 chemistry
28 of the 480 transitions between these catalogues reach 80 chemistry. Chance would give 2.8. They come from 5 different Evil Nine tracks.
Pearlshot Feat. Juice Aleem → Little Virgy · 5B → 5B · same BPM · 89 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Evil Nine by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Evil Nine, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Evil Nine's tracks in our catalog range from 81 to 132 BPM, with a median of 129 BPM. Across 12 tracks, the most common range falls in the 130–135 BPM bucket.
Evil Nine's tracks are mostly in minor keys (50% minor across 12 tracks). The most common single key is 10B (D Major) with 3 tracks.
We scored every transition between Evil Nine's 12 analysed tracks and every track by 12,460 other artists. 86 catalogues clear the bar by more than chance would give, and Digital Base, DJ Hero, DJ Icey are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Restless Feat. Toastie Taylor into Still ballin, 6A to 6A, 91 chemistry.
Evil Nine sits closest to Adam Freeland, Colombo, ILS in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Evil Nine releases spanning 2000 to 2014, with the most tracks from the 2000s.
