Artist profile
Techno (Peak Time / Driving) producer and DJ.
Plan a set with Hanstler tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Hanstler is a high-energy with strong drive — vocal-forward artist.
Unusually high vocal presence and drive for Techno (Peak Time / Driving).
Across 8 analysed tracks, Hanstler averages 54% groove — straighter than 75% of individual Techno (Peak Time / Driving) tracks — and 74% energy, harder than 66%.
Measured against 25,003 Techno (Peak Time / Driving) tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Hanstler’s 8 analysed tracks and every track by 12,460 other artists. 50 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
16 of the 256 transitions between these catalogues reach 80 chemistry. Chance would give 1.5. They come from 6 different Hanstler tracks.
14 of the 248 transitions between these catalogues reach 80 chemistry. Chance would give 1.4. They come from 5 different Hanstler tracks.
Esta Noche → Out Of Phaze · 9A → 10A · −5 BPM · 86 chemistry
25 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 5 different Hanstler tracks.
22 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 6 different Hanstler tracks.
Esta Noche → Go Faster & Harder - Dub Mix · 9A → 8A · −2 BPM · 90 chemistry
16 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 5 different Hanstler tracks.
Esta Noche → Music Has Changed My Life · 9A → 11A · −1 BPM · 85 chemistry
15 of the 208 transitions between these catalogues reach 80 chemistry. Chance would give 1.2. They come from 5 different Hanstler tracks.
The Drift → Dance Control · 12B → 11B · same BPM · 89 chemistry
14 of the 240 transitions between these catalogues reach 80 chemistry. Chance would give 1.4. They come from 4 different Hanstler tracks.
23 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 5 different Hanstler tracks.
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Hanstler by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Hanstler, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Hanstler's tracks in our catalog range from 128 to 155 BPM, with a median of 134 BPM. Across 8 tracks, the most common range falls in the 135–140 BPM bucket.
Hanstler's tracks are mostly in minor keys (50% minor across 8 tracks). The most common single key is 2A (E♭ Minor) with 2 tracks.
We scored every transition between Hanstler's 8 analysed tracks and every track by 12,460 other artists. 50 catalogues clear the bar by more than chance would give, and Demon Noise, Devid Dega, Dok & Martin are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Control into Smack, 4B to 4B, 86 chemistry.
Hanstler sits closest to Rohan (IT), Matteo Vitanza, Drunken Kong in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
