Artist profile
Good Times Ahead is a bass house producer working within the deeper, groove-oriented end of the genre. Their work emphasizes heavy low-end design and rhythmic precision across a consistent output of original material.
Compare with another artistPlan a set with Good Times Ahead tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Good Times Ahead is a high-energy with strong groove and drive artist.
Sits right in the typical Bass House pocket.
Across 20 analysed tracks, Good Times Ahead averages 70% groove — straighter than 59% of individual Bass House tracks — and 64% energy, harder than 58%.
Measured against 6,041 Bass House tracks on 11 August 2026.
Most tracks sit between 85–150 BPM with a median of 127 · predominantly minor keys (65% minor) · most common key: 4A (F Minor) with 3 tracks.
How Good Times Ahead’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Bass House tempo.
Across Good Times Ahead's catalog, tempos have climbed from ~85 to ~126 BPM; production has darkened; warmth has receded.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Good Times Ahead’s 20 analysed tracks and every track by 12,460 other artists. 150 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
31 of the 800 transitions between these catalogues reach 80 chemistry. Chance would give 4.6. They come from 7 different Good Times Ahead tracks.
27 of the 800 transitions between these catalogues reach 80 chemistry. Chance would give 4.6. They come from 9 different Good Times Ahead tracks.
PSHET → House Police · 8A → 8B · same BPM · 88 chemistry
27 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 7 different Good Times Ahead tracks.
Belong - Extended Mix → The Mines · 7A → 7A · +2 BPM · 90 chemistry
23 of the 540 transitions between these catalogues reach 80 chemistry. Chance would give 3.1. They come from 8 different Good Times Ahead tracks.
PSHET → Move & Groove · 8A → 7B · same BPM · 88 chemistry
36 of the 780 transitions between these catalogues reach 80 chemistry. Chance would give 4.5. They come from 8 different Good Times Ahead tracks.
Magnificent - Extended Mix → Mad As Hell · 3B → 4A · same BPM · 91 chemistry
22 of the 380 transitions between these catalogues reach 80 chemistry. Chance would give 2.2. They come from 10 different Good Times Ahead tracks.
22 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 9 different Good Times Ahead tracks.
Belong - Extended Mix → Live Wire - Extended Mix · 7A → 7A · −2 BPM · 88 chemistry
30 of the 800 transitions between these catalogues reach 80 chemistry. Chance would give 4.6. They come from 14 different Good Times Ahead tracks.
PSHET → Skank N Flex · 8A → 8A · +2 BPM · 88 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Good Times Ahead by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Good Times Ahead, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Good Times Ahead's tracks in our catalog range from 85 to 150 BPM, with a median of 127 BPM. Across 20 tracks, the most common range falls in the 125–130 BPM bucket.
Good Times Ahead's tracks are mostly in minor keys (65% minor across 20 tracks). The most common single key is 4A (F Minor) with 3 tracks.
We scored every transition between Good Times Ahead's 20 analysed tracks and every track by 12,460 other artists. 150 catalogues clear the bar by more than chance would give, and AC Slater, Brohug, Hotfire are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: PSHET into Fall Back, 8A to 8A, 90 chemistry.
Good Times Ahead sits closest to Dillon Francis, Yellow Claw, Jack Ü in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Good Times Ahead releases spanning 2015 to 2025, with the most tracks from the 2020s.