Artist profile
Godlands
Godlands is a producer working in trap and future bass, crafting atmospheric and rhythmically complex electronic music. Their sound blends heavy low-end design with melodic elements characteristic of contemporary bass music production.
Sound profile
Godlands is a high-energy and a bright production artist.
Tracks in catalog
9 total · sortable
Track | BPM · Key | Actions |
|---|---|---|
 Thumper Godlands | 1078AA Minor | |
 SLEEPER Godlands | 1285AC Minor | |
 u want me Godlands | 9610BD Major | |
 WILL YOU MOVE Godlands | 1507BF Major | |
 READY2GO! Godlands, BVNISHED | 15010BD Major | |
 CASHMERE Godlands, boler mani | 1452BF♯ Major | |
 LEFT2RIGHT Godlands, SPORTMODE | 1263AB♭ Minor | |
 Out My Face Godlands | 1442BF♯ Major | |
 GODSP33D Godlands | 732AE♭ Minor |
Release volume by decade
Related artists
Top 15 by similarityDJs and producers whose tracks blend naturally with Godlands’s — similar scenes, adjacent production styles, overlapping audiences. Useful when you’re prepping a set around Godlands and need adjacent tracks that won’t feel out of place. Eligible names link to their own page.
FAQ
What BPM does Godlands play at?
Godlands's tracks in our catalog range from 73 to 150 BPM, with a median of 128 BPM. Across 9 tracks, the most common range falls in the 130–135 BPM bucket.
What key are Godlands's tracks in?
Godlands's tracks are mostly in major keys (44% minor across 9 tracks). The most common single key is 10B (D Major) with 2 tracks.
What artists mix well with Godlands?
Based on harmonic compatibility, tempo proximity and artist-cohort context, Godlands pairs well with Hayve, Jawns, Conro. The full list — with track counts in our catalog and similarity scores — is in the Related Artists section above.
When was Godlands most active?
Our catalog has Godlands releases spanning 2022 to 2026, with the most tracks from the 2020s.
Keep exploring
Plan a set with Godlands tracks scored against the rest of the catalog
Godlands on Mixgraph
Mixgraph for iOS — chemistry-scored DJ planning.
