Artist profile
ETC!ETC! is a producer working in trap and future bass, known for blending heavy percussion with atmospheric sound design. The artist's work spans both original production and remix work across electronic music platforms.
Compare with another artistPlan a set with ETC!ETC! tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
ETC!ETC! is a high-energy and a bright production artist.
Sits right in the typical Trap / Future Bass pocket.
Across 23 analysed tracks, ETC!ETC! averages 51% groove — groovier than 71% of individual Trap / Future Bass tracks — and 63% energy, harder than 69%.
Measured against 8,278 Trap / Future Bass tracks on 11 August 2026.
Most tracks sit between 70–150 BPM with a median of 140 · predominantly minor keys (61% minor) · most common key: 4A (F Minor) with 5 tracks.
How ETC!ETC!’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Trap / Future Bass tempo.
Across ETC!ETC!'s catalog, tempos have climbed from ~120 to ~150 BPM; production has brightened; groove has deepened.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between ETC!ETC!’s 23 analysed tracks and every track by 12,460 other artists. 212 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
34 of the 920 transitions between these catalogues reach 80 chemistry. Chance would give 5.3. They come from 6 different ETC!ETC! tracks.
Bad Boy Flow → Scum · 3A → 4A · same BPM · 89 chemistry
32 of the 667 transitions between these catalogues reach 80 chemistry. Chance would give 3.8. They come from 15 different ETC!ETC! tracks.
33 of the 920 transitions between these catalogues reach 80 chemistry. Chance would give 5.3. They come from 8 different ETC!ETC! tracks.
Panic Attack (Featuring Anna Yvette) → Shadow People · 3A → 3A · same BPM · 90 chemistry
33 of the 667 transitions between these catalogues reach 80 chemistry. Chance would give 3.8. They come from 11 different ETC!ETC! tracks.
Gozando → Knockout - Extended Mix · 8A → 8A · same BPM · 88 chemistry
33 of the 713 transitions between these catalogues reach 80 chemistry. Chance would give 4.1. They come from 14 different ETC!ETC! tracks.
Bend It Over Gurl → Booty Be Like · 4A → 4A · +4 BPM · 88 chemistry
40 of the 920 transitions between these catalogues reach 80 chemistry. Chance would give 5.3. They come from 16 different ETC!ETC! tracks.
Bad Boy Flow → Step Two · 3A → 4A · same BPM · 92 chemistry
37 of the 644 transitions between these catalogues reach 80 chemistry. Chance would give 3.7. They come from 14 different ETC!ETC! tracks.
36 of the 920 transitions between these catalogues reach 80 chemistry. Chance would give 5.3. They come from 14 different ETC!ETC! tracks.
Follow (feat. Milana) → KinjaBang · 8A → 8A · same BPM · 89 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to ETC!ETC! by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around ETC!ETC!, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
ETC!ETC!'s tracks in our catalog range from 70 to 150 BPM, with a median of 140 BPM. Across 23 tracks, the most common range falls in the 140–145 BPM bucket.
ETC!ETC!'s tracks are mostly in minor keys (61% minor across 23 tracks). The most common single key is 4A (F Minor) with 5 tracks.
We scored every transition between ETC!ETC!'s 23 analysed tracks and every track by 12,460 other artists. 212 catalogues clear the bar by more than chance would give, and Datsik, Dirty Audio, Eptic are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Bad Boy Flow into Scum, 3A to 4A, 89 chemistry.
ETC!ETC! sits closest to Sazon Booya, Willy Joy, Bad Royale in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has ETC!ETC! releases spanning 2013 to 2022, with the most tracks from the 2010s.
