Artist profile
DISKORD is a trap and future bass producer known for atmospheric, bass-heavy soundscapes that blend melodic elements with hard-hitting percussion. Their work explores the intersection of experimental production and dancefloor sensibility.
Compare with another artistPlan a set with DISKORD tracks scored against the rest of the catalog
DISKORD is a high-energy and a bright production — mostly instrumental artist.
Sits right in the typical Trap / Future Bass pocket.
Across 19 analysed tracks, DISKORD averages 63% energy — harder than 69% of individual Trap / Future Bass tracks — and 45% groove, groovier than 58%.
Measured against 8,278 Trap / Future Bass tracks on 11 August 2026.
Most tracks sit between 71–160 BPM with a median of 110 · predominantly minor keys (74% minor) · most common key: 9A (E Minor) with 5 tracks.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between DISKORD’s 19 analysed tracks and every track by 12,460 other artists. 167 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
33 of the 551 transitions between these catalogues reach 80 chemistry. Chance would give 3.2. They come from 13 different DISKORD tracks.
28 of the 437 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 10 different DISKORD tracks.
30 of the 589 transitions between these catalogues reach 80 chemistry. Chance would give 3.4. They come from 13 different DISKORD tracks.
40 of the 760 transitions between these catalogues reach 80 chemistry. Chance would give 4.4. They come from 11 different DISKORD tracks.
Hit the Floor! → Swamp Thing · 7B → 7B · same BPM · 90 chemistry
30 of the 532 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 12 different DISKORD tracks.
33 of the 608 transitions between these catalogues reach 80 chemistry. Chance would give 3.5. They come from 12 different DISKORD tracks.
48 of the 760 transitions between these catalogues reach 80 chemistry. Chance would give 4.4. They come from 13 different DISKORD tracks.
30 of the 760 transitions between these catalogues reach 80 chemistry. Chance would give 4.4. They come from 12 different DISKORD tracks.
Hit the Floor! → Inma Head (feat. Marlishh) · 7B → 7B · same BPM · 87 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to DISKORD by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around DISKORD, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
DISKORD's tracks in our catalog range from 71 to 160 BPM, with a median of 110 BPM. Across 19 tracks, the most common range falls in the 110–115 BPM bucket.
DISKORD's tracks are mostly in minor keys (74% minor across 19 tracks). The most common single key is 9A (E Minor) with 5 tracks.
We scored every transition between DISKORD's 19 analysed tracks and every track by 12,460 other artists. 167 catalogues clear the bar by more than chance would give, and Fabian Mazur, Flosstradamus, HeRobust are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page.
DISKORD sits closest to Atvm, Portal, Gigan in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has DISKORD releases spanning 2014 to 2017, with the most tracks from the 2010s.