Artist profile
Mike G is a producer and DJ working in breakbeat and UK bass, known for his work within the breaks and drum and bass communities. His production spans instrumental and vocal-driven tracks across the breakbeat spectrum.
Compare with another artistPlan a set with Mike G tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Mike G is a moderate-energy and a balanced bright/warm production artist.
Unusually high brightness and vocal presence for Trap / Future Bass.
Across 32 analysed tracks, Mike G averages 52% groove — groovier than 73% of individual Trap / Future Bass tracks — and 55% energy, gentler than 58%.
Measured against 8,278 Trap / Future Bass tracks on 11 August 2026.
Most tracks sit between 85–160 BPM with a median of 130 · predominantly minor keys (91% minor) · most common key: 7A (D Minor) with 5 tracks.
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We scored every transition between Mike G’s 32 analysed tracks and every track by 12,460 other artists. 384 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
89 of the 1,280 transitions between these catalogues reach 80 chemistry. Chance would give 7.3. They come from 17 different Mike G tracks.
Let's Get It → Maria · 2A → 2A · same BPM · 91 chemistry
115 of the 1,280 transitions between these catalogues reach 80 chemistry. Chance would give 7.3. They come from 14 different Mike G tracks.
Grillz → WhereItsat · 6A → 6A · same BPM · 91 chemistry
116 of the 1,280 transitions between these catalogues reach 80 chemistry. Chance would give 7.3. They come from 29 different Mike G tracks.
On That → Point Blank · 5A → 5A · same BPM · 88 chemistry
107 of the 1,280 transitions between these catalogues reach 80 chemistry. Chance would give 7.3. They come from 12 different Mike G tracks.
Move On → Is It Real · 5A → 6A · same BPM · 90 chemistry
91 of the 1,280 transitions between these catalogues reach 80 chemistry. Chance would give 7.3. They come from 14 different Mike G tracks.
I Ned Luv → Beetlejuice · 8A → 9A · same BPM · 91 chemistry
92 of the 1,280 transitions between these catalogues reach 80 chemistry. Chance would give 7.3. They come from 20 different Mike G tracks.
Waitin' On The Drop → Now That You're Gone · 10B → 10B · −2 BPM · 90 chemistry
120 of the 1,280 transitions between these catalogues reach 80 chemistry. Chance would give 7.3. They come from 14 different Mike G tracks.
91 of the 896 transitions between these catalogues reach 80 chemistry. Chance would give 5.1. They come from 13 different Mike G tracks.
I Ned Luv → Pump It Up · 8A → 8A · same BPM · 93 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Mike G by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Mike G, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Mike G's tracks in our catalog range from 85 to 160 BPM, with a median of 130 BPM. Across 32 tracks, the most common range falls in the 130–135 BPM bucket.
Mike G's tracks are mostly in minor keys (91% minor across 32 tracks). The most common single key is 7A (D Minor) with 5 tracks.
We scored every transition between Mike G's 32 analysed tracks and every track by 12,460 other artists. 384 catalogues clear the bar by more than chance would give, and BBK, Digital Base, DJ Fixx are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Let's Get It into Maria, 2A to 2A, 91 chemistry.
Mike G sits closest to Mellowhype, Ofwgkta, The Jet Age Of Tomorrow in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
