Artist profile
Discotron is a nu disco producer and DJ working in contemporary electronic dance music. The project blends classic disco elements with modern production techniques, creating tracks rooted in funk grooves and synth-driven arrangements characteristic of the nu disco sound.
Compare with another artistPlan a set with Discotron tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Discotron is a moderate-energy with strong groove and a balanced bright/warm production — mostly instrumental artist.
Sits right in the typical Nu Disco / Disco pocket.
Across 58 analysed tracks, Discotron averages 77% groove — straighter than 67% of individual Nu Disco / Disco tracks — and 45% energy, harder than 57%.
Measured against 7,651 Nu Disco / Disco tracks on 11 August 2026.
Most tracks sit between 85–127 BPM with a median of 123 · predominantly minor keys (62% minor) · most common key: 9A (E Minor) with 6 tracks.
How Discotron’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Nu Disco / Disco tempo.
Across Discotron's catalog, warmth has receded; tempos have climbed from ~115 to ~125 BPM; energy has lifted.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Discotron’s 40 analysed tracks and every track by 12,460 other artists. 992 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
133 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 30 different Discotron tracks.
All About House - Extended Mix → It's Not Over - Bonetti Remix · 5B → 5B · +1 BPM · 92 chemistry
148 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 25 different Discotron tracks.
What Makes You Dance - Dub Mix → Lifetime Disco · 9A → 9A · −1 BPM · 92 chemistry
140 of the 1,520 transitions between these catalogues reach 80 chemistry. Chance would give 8.7. They come from 26 different Discotron tracks.
Keep On Jumpin' - Dub Mix → Go Bang - Extended Mix · 8B → 8B · −2 BPM · 92 chemistry
132 of the 1,480 transitions between these catalogues reach 80 chemistry. Chance would give 8.5. They come from 29 different Discotron tracks.
So Good - Radio Mix → Don't Panic · 9A → 9A · same BPM · 92 chemistry
196 of the 1,240 transitions between these catalogues reach 80 chemistry. Chance would give 7.1. They come from 28 different Discotron tracks.
Give It To Him - Radio Mix → Freedom - Good Vibes Mix · 8A → 8A · +1 BPM · 92 chemistry
131 of the 1,080 transitions between these catalogues reach 80 chemistry. Chance would give 6.2. They come from 28 different Discotron tracks.
All About House - Extended Mix → Feel The Disko · 5B → 5B · −1 BPM · 92 chemistry
192 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 28 different Discotron tracks.
Give It To Him - Radio Mix → Baila Conmigo · 8A → 8A · same BPM · 93 chemistry
147 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 29 different Discotron tracks.
Give It To Him - Radio Mix → Steel & Strings · 8A → 8A · same BPM · 93 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Discotron by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Discotron, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Discotron's tracks in our catalog range from 85 to 127 BPM, with a median of 123 BPM. Across 58 tracks, the most common range falls in the 125–130 BPM bucket.
Discotron's tracks are mostly in minor keys (62% minor across 58 tracks). The most common single key is 9A (E Minor) with 6 tracks.
We scored every transition between Discotron's 40 analysed tracks and every track by 12,460 other artists. 992 catalogues clear the bar by more than chance would give, and Andy Bach, C. Da Afro, Corrado Alunni are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: All About House - Extended Mix into It's Not Over - Bonetti Remix, 5B to 5B, 92 chemistry.
Discotron sits closest to Serge Funk, Ken@Work, Barry&Gibbs in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Discotron releases spanning 2016 to 2025, with the most tracks from the 2010s.
