Artist profile
Ken@Work is a nu disco and disco producer working in contemporary electronic music. His work draws on the rhythmic foundations and groove-oriented sensibilities of the disco tradition, filtered through modern production aesthetics.
Compare with another artistPlan a set with Ken@Work tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Ken@Work is a restrained with strong groove and a bright production — mostly instrumental artist.
Sits right in the typical Nu Disco / Disco pocket.
Across 107 analysed tracks, Ken@Work averages 37% energy — gentler than 73% of individual Nu Disco / Disco tracks — and 90% groove, groovier than 69%.
Measured against 7,651 Nu Disco / Disco tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Ken@Work’s 40 analysed tracks and every track by 12,460 other artists. 818 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
188 of the 1,440 transitions between these catalogues reach 80 chemistry. Chance would give 8.3. They come from 37 different Ken@Work tracks.
Hang On → Have You Come To Funk · 9A → 9A · −2 BPM · 93 chemistry
177 of the 1,040 transitions between these catalogues reach 80 chemistry. Chance would give 6.0. They come from 34 different Ken@Work tracks.
229 of the 1,480 transitions between these catalogues reach 80 chemistry. Chance would give 8.5. They come from 38 different Ken@Work tracks.
Rock Me Baby Rock Me → We Can't Stop - Extended Mix · 9A → 8B · same BPM · 93 chemistry
192 of the 1,240 transitions between these catalogues reach 80 chemistry. Chance would give 7.1. They come from 32 different Ken@Work tracks.
Flying To Paris → Queen Of Soul - Nu Disco Mix · 7B → 7B · −4 BPM · 90 chemistry
233 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 39 different Ken@Work tracks.
Disco De Janeiro → Tell Me What To Do · 10B → 11A · same BPM · 93 chemistry
173 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 36 different Ken@Work tracks.
Disco De Janeiro → Rocket In Your Pocket · 10B → 10B · same BPM · 92 chemistry
170 of the 1,600 transitions between these catalogues reach 80 chemistry. Chance would give 9.2. They come from 36 different Ken@Work tracks.
Disco De Janeiro → Rough Times - Sean McCabe Club Mix · 10B → 10B · same BPM · 93 chemistry
224 of the 1,400 transitions between these catalogues reach 80 chemistry. Chance would give 8.0. They come from 35 different Ken@Work tracks.
Rock Me Baby Rock Me → That's My Bebop · 9A → 9A · same BPM · 93 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Ken@Work by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Ken@Work, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Ken@Work's tracks in our catalog range from 112 to 126 BPM, with a median of 120 BPM. Across 107 tracks, the most common range falls in the 120–125 BPM bucket.
Ken@Work's tracks are mostly in minor keys (60% minor across 107 tracks). The most common single key is 10B (D Major) with 10 tracks.
We scored every transition between Ken@Work's 40 analysed tracks and every track by 12,460 other artists. 818 catalogues clear the bar by more than chance would give, and Chewy Rubs, D.P.V., Da Lukas are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Hang On into Have You Come To Funk, 9A to 9A, 93 chemistry.
Ken@Work sits closest to Serge Funk, Discotron, Risk Assessment in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
