Artist profile
Dirty Harry is a hard dance and hardcore producer working in the neo-rave sphere. The artist's output emphasizes the stripped-down energy and breakbeat-driven aesthetics central to contemporary hardcore and hard dance production.
Compare with another artistPlan a set with Dirty Harry tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Dirty Harry is a moderate-energy with strong groove and a bright production — mostly instrumental artist.
Higher brightness but lower groove than typical Deep House.
Across 8 analysed tracks, Dirty Harry averages 63% groove — straighter than 89% of individual Deep House tracks — and 51% energy, harder than 69%.
Measured against 22,124 Deep House tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Dirty Harry’s 8 analysed tracks and every track by 12,460 other artists. 20 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
16 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 3 different Dirty Harry tracks.
Dub Fiction → Carnival feat. Mc Ruud · 2B → 2B · same BPM · 91 chemistry
15 of the 280 transitions between these catalogues reach 80 chemistry. Chance would give 1.6. They come from 3 different Dirty Harry tracks.
Silence - Karlston Khaos Remix → The Anthem · 8B → 7B · same BPM · 89 chemistry
14 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 3 different Dirty Harry tracks.
Dub Fiction → A Muse · 2B → 3A · same BPM · 86 chemistry
14 of the 256 transitions between these catalogues reach 80 chemistry. Chance would give 1.5. They come from 3 different Dirty Harry tracks.
Deep In Vibe → Dialled In · 7A → 6B · same BPM · 90 chemistry
16 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 4 different Dirty Harry tracks.
Dub Fiction → Gimme Apollo · 2B → 4A · same BPM · 88 chemistry
13 of the 240 transitions between these catalogues reach 80 chemistry. Chance would give 1.4. They come from 3 different Dirty Harry tracks.
Dub Fiction → Don't Let Go - Extended · 2B → 3A · same BPM · 87 chemistry
13 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 3 different Dirty Harry tracks.
Deep In Vibe → Unused · 7A → 6A · −2 BPM · 88 chemistry
14 of the 256 transitions between these catalogues reach 80 chemistry. Chance would give 1.5. They come from 3 different Dirty Harry tracks.
Fear & Loathing → Odyssey - Extended Version · 7B → 7B · same BPM · 89 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Dirty Harry by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Dirty Harry, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Dirty Harry's tracks in our catalog range from 88 to 150 BPM, with a median of 127 BPM. Across 8 tracks, the most common range falls in the 125–130 BPM bucket.
Dirty Harry's tracks are mostly in minor keys (50% minor across 8 tracks). The most common single key is 7A (D Minor) with 2 tracks.
We scored every transition between Dirty Harry's 8 analysed tracks and every track by 12,460 other artists. 20 catalogues clear the bar by more than chance would give, and Da Tweekaz, Energy Syndicate, Frequencerz are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Dub Fiction into Carnival feat. Mc Ruud, 2B to 2B, 91 chemistry.
Dirty Harry sits closest to DJ Hazard, Taxman, Littlefoot in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Dirty Harry releases spanning 1996 to 2013, with the most tracks from the 1990s.
