Artist profile
Drum & Bass producer and DJ.
Plan a set with Dead End tracks scored against the rest of the catalog
Dead End is a high-energy with strong drive artist.
Higher drive but lower brightness than typical Drum & Bass.
Across 11 analysed tracks, Dead End averages 75% energy — harder than 85% of individual Drum & Bass tracks — and 35% groove, straighter than 68%.
Measured against 23,150 Drum & Bass tracks on 11 August 2026.
Most tracks sit between 83–172 BPM with a median of 102 · predominantly minor keys (73% minor) · most common key: 10A (B Minor) with 3 tracks.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Dead End’s 11 analysed tracks and every track by 12,460 other artists. 111 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
19 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 5 different Dead End tracks.
Spike → Thunder - Bladerunner Remix · 10A → 10A · +1 BPM · 87 chemistry
16 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 5 different Dead End tracks.
Spike → Zodiac Killa · 10A → 10B · same BPM · 88 chemistry
22 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 5 different Dead End tracks.
Strapped → Deal With It · 2A → 2A · +2 BPM · 87 chemistry
18 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 6 different Dead End tracks.
Spike → Stone Cold · 10A → 9B · same BPM · 88 chemistry
16 of the 407 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 6 different Dead End tracks.
21 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 4 different Dead End tracks.
18 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 5 different Dead End tracks.
Walking → Ride or Die · 10A → 10A · half-time · 83 chemistry
22 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 5 different Dead End tracks.
Strapped → Drums - Turno Remix · 2A → 3A · +4 BPM · 85 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Dead End by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Dead End, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Dead End's tracks in our catalog range from 83 to 172 BPM, with a median of 102 BPM. Across 11 tracks, the most common range falls in the 100–105 BPM bucket.
Dead End's tracks are mostly in minor keys (73% minor across 11 tracks). The most common single key is 10A (B Minor) with 3 tracks.
We scored every transition between Dead End's 11 analysed tracks and every track by 12,460 other artists. 111 catalogues clear the bar by more than chance would give, and Bladerunner, Dunk, Enei are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Spike into Thunder - Bladerunner Remix, 10A to 10A, 87 chemistry.
Dead End sits closest to Loudness, Showya, 聖飢魔ii in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.