Artist profile
Danny Brown is a rapper and producer working in trap and experimental hip-hop, known for blending aggressive production with introspective lyricism. His work spans instrumental trap, future bass, and avant-garde rap production across the 2010s and 2020s.
Compare with another artistPlan a set with Danny Brown tracks scored against the rest of the catalog
Danny Brown is a moderate-energy — mostly instrumental artist.
Sits right in the typical Trap / Future Bass pocket.
Across 14 analysed tracks, Danny Brown averages 54% energy — gentler than 60% of individual Trap / Future Bass tracks.
Measured against 8,278 Trap / Future Bass tracks on 11 August 2026.
Most tracks sit between 68–160 BPM with a median of 140 · predominantly major keys (43% minor) · most common key: 1A (A♭ Minor) with 2 tracks.
How Danny Brown’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Trap / Future Bass tempo.
Across Danny Brown's catalog, groove has thinned; tempos have climbed from ~81 to ~86 BPM.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Danny Brown’s 14 analysed tracks and every track by 12,460 other artists. 45 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
20 of the 560 transitions between these catalogues reach 80 chemistry. Chance would give 3.2. They come from 7 different Danny Brown tracks.
When It Rain → Insane (feat. Tech N9ne) · 5B → 5B · −6 BPM · 85 chemistry
23 of the 406 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 9 different Danny Brown tracks.
16 of the 560 transitions between these catalogues reach 80 chemistry. Chance would give 3.2. They come from 8 different Danny Brown tracks.
19 of the 420 transitions between these catalogues reach 80 chemistry. Chance would give 2.4. They come from 8 different Danny Brown tracks.
Smokin & Drinkin - Boys Noize Smokin Mix → I Do It · 1A → 12A · −4 BPM · 87 chemistry
16 of the 434 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 6 different Danny Brown tracks.
Smokin & Drinkin - Boys Noize Smokin Mix → Rinse Repeat - Extended Mix · 1A → 2A · same BPM · 87 chemistry
34 of the 560 transitions between these catalogues reach 80 chemistry. Chance would give 3.2. They come from 11 different Danny Brown tracks.
Smokin & Drinkin - Boys Noize Smokin Mix → No Brakes · 1A → 2A · same BPM · 90 chemistry
19 of the 308 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 10 different Danny Brown tracks.
Smokin & Drinkin - Boys Noize Smokin Mix → Fire · 1A → 2A · +3 BPM · 87 chemistry
17 of the 546 transitions between these catalogues reach 80 chemistry. Chance would give 3.1. They come from 11 different Danny Brown tracks.
Smokin & Drinkin - Boys Noize Smokin Mix → Can't Go Wrong · 1A → 1A · −2 BPM · 88 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Danny Brown by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Danny Brown, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Danny Brown's tracks in our catalog range from 68 to 160 BPM, with a median of 140 BPM. Across 14 tracks, the most common range falls in the 140–145 BPM bucket.
Danny Brown's tracks are mostly in major keys (43% minor across 14 tracks). The most common single key is 1A (A♭ Minor) with 2 tracks.
We scored every transition between Danny Brown's 14 analysed tracks and every track by 12,460 other artists. 45 catalogues clear the bar by more than chance would give, and Apashe, Fabian Mazur, Future are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: When It Rain into Insane (feat. Tech N9ne), 5B to 5B, 85 chemistry.
Danny Brown sits closest to JPEGMAFIA, Jpegmafia & Danny Brown, Injury Reserve in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Danny Brown releases spanning 2012 to 2025, with the most tracks from the 2010s.