Artist profile
Damaged Goods is a bass house producer working within the darker, more percussive end of the genre. Their sound emphasizes heavy low-end frequencies and intricate rhythmic layering characteristic of contemporary bass house production.
DJ terms on this page: Chemistry · Extended mix · Remix · VIP · Full glossary
Plan a set with Damaged Goods tracks scored against the rest of the catalog
Damaged Goods is a high-energy with strong groove and drive and a bright production artist.
Sits right in the typical Bass House pocket.
Across 9 analysed tracks, Damaged Goods averages 66% energy — harder than 64% of individual Bass House tracks — and 71% groove, straighter than 58%.
Measured against 6,041 Bass House tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Damaged Goods’s 9 analysed tracks and every track by 12,460 other artists. 20 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
15 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 5 different Damaged Goods tracks.
Home → Fake Fake Fake · 7B → 7B · +1 BPM · 87 chemistry
14 of the 216 transitions between these catalogues reach 80 chemistry. Chance would give 1.2. They come from 6 different Damaged Goods tracks.
I Am MIA (feat. Damaged Goods) → Love (The Way You Get) - Extended Mix · 7B → 7B · same BPM · 93 chemistry
12 of the 216 transitions between these catalogues reach 80 chemistry. Chance would give 1.2. They come from 4 different Damaged Goods tracks.
I Am MIA (feat. Damaged Goods) → Gotch' Yo Bae · 7B → 7A · −1 BPM · 86 chemistry
12 of the 162 transitions between these catalogues reach 80 chemistry. Chance would give 0.9. They come from 3 different Damaged Goods tracks.
I Am MIA (feat. Damaged Goods) → Do Or Die - Jay Robinson Remix · 7B → 6B · −2 BPM · 88 chemistry
16 of the 351 transitions between these catalogues reach 80 chemistry. Chance would give 2.0. They come from 6 different Damaged Goods tracks.
I Am MIA (feat. Damaged Goods) → Social Approbation · 7B → 8B · same BPM · 91 chemistry
16 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 4 different Damaged Goods tracks.
I Am MIA (feat. Damaged Goods) → Jungle (Extended Mix) · 7B → 7B · −3 BPM · 89 chemistry
12 of the 171 transitions between these catalogues reach 80 chemistry. Chance would give 1.0. They come from 4 different Damaged Goods tracks.
EVRY DAY (feat. Damaged Goods) → Right Within · 3A → 3A · −1 BPM · 91 chemistry
14 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 7 different Damaged Goods tracks.
Home → Push It - Inpetto Edit Extended Version · 7B → 7B · +1 BPM · 90 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Damaged Goods by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Damaged Goods, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Damaged Goods's tracks in our catalog range from 122 to 126 BPM, with a median of 124 BPM. Across 9 tracks, the most common range falls in the 125–130 BPM bucket.
Damaged Goods's tracks are mostly in minor keys (78% minor across 9 tracks). The most common single key is 11A (F♯ Minor) with 3 tracks.
We scored every transition between Damaged Goods's 9 analysed tracks and every track by 12,460 other artists. 20 catalogues clear the bar by more than chance would give, and Brohug, BYOR, Fetish are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Home into Fake Fake Fake, 7B to 7B, 87 chemistry.
Damaged Goods sits closest to Malice At The Palace, Vamachara, Constraint in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.