Artist profile
D-Mad is a trance producer working within main floor and progressive styles. Their work emphasizes driving rhythms and atmospheric layering characteristic of contemporary trance production.
Compare with another artistPlan a set with D-Mad tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
D-Mad is a high-energy with strong groove and drive and a bright production artist.
Sits right in the typical Trance (Main Floor) pocket.
Across 8 analysed tracks, D-Mad averages 69% energy — harder than 56% of individual Trance (Main Floor) tracks.
Measured against 21,919 Trance (Main Floor) tracks on 11 August 2026.
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We scored every transition between D-Mad’s 8 analysed tracks and every track by 12,460 other artists. 133 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
30 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 7 different D-Mad tracks.
Fireball → One Thing About You feat. Amy Kirkpatrick · 12B → 12B · +2 BPM · 90 chemistry
39 of the 192 transitions between these catalogues reach 80 chemistry. Chance would give 1.1. They come from 8 different D-Mad tracks.
Fireball → Aurora - Orginal Mix · 12B → 12A · +1 BPM · 87 chemistry
36 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 8 different D-Mad tracks.
I Love You So Much → Freedom · 10A → 10B · same BPM · 90 chemistry
26 of the 280 transitions between these catalogues reach 80 chemistry. Chance would give 1.6. They come from 7 different D-Mad tracks.
Keep Believing → You Should Know - Extended Mix · 8A → 7A · −3 BPM · 89 chemistry
31 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 6 different D-Mad tracks.
Fireball → Waves Of L.A. · 12B → 1A · same BPM · 91 chemistry
26 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 6 different D-Mad tracks.
Squeeze - Extended Mix → Travels - Extended Mix · 5A → 6A · same BPM · 87 chemistry
29 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 8 different D-Mad tracks.
Squeeze - Extended Mix → Mardi Gras - Extended Mix · 5A → 5A · +2 BPM · 89 chemistry
31 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 8 different D-Mad tracks.
Fireball → Eternal Sequence - Nifra Extended Mix · 12B → 1A · same BPM · 90 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to D-Mad by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around D-Mad, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
D-Mad's tracks in our catalog range from 128 to 132 BPM, with a median of 130 BPM. Across 8 tracks, the most common range falls in the 130–135 BPM bucket.
D-Mad's tracks are mostly in minor keys (63% minor across 8 tracks). The most common single key is 8A (A Minor) with 2 tracks.
We scored every transition between D-Mad's 8 analysed tracks and every track by 12,460 other artists. 133 catalogues clear the bar by more than chance would give, and Andy Moor, Beat Service, Eximinds are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Fireball into One Thing About You feat. Amy Kirkpatrick, 12B to 12B, 90 chemistry.
D-Mad sits closest to Hxllywood, Shakeyfunnyazz, Championxiii in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
