Artist profile
Cloverdale is a bass house producer crafting heavy, percussive tracks rooted in the genre's emphasis on low-end design and rhythmic intensity. Their work sits within the contemporary bass house landscape, characterized by layered synths and driving beats.
Compare with another artistPlan a set with Cloverdale tracks scored against the rest of the catalog
Cloverdale is a moderate-energy with strong groove and drive and a bright production artist.
Sits right in the typical Bass House pocket.
Across 22 analysed tracks, Cloverdale averages 57% energy — gentler than 62% of individual Bass House tracks.
Measured against 6,041 Bass House tracks on 11 August 2026.
Missing one of theirs?
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We scored every transition between Cloverdale’s 22 analysed tracks and every track by 12,460 other artists. 277 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
47 of the 880 transitions between these catalogues reach 80 chemistry. Chance would give 5.0. They come from 11 different Cloverdale tracks.
Back To That - Extended Mix → Night Bass Thing (feat. Dell Harris) · 2A → 1A · same BPM · 89 chemistry
24 of the 528 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 10 different Cloverdale tracks.
Back To That - Extended Mix → This Is It · 2A → 2A · +1 BPM · 93 chemistry
27 of the 880 transitions between these catalogues reach 80 chemistry. Chance would give 5.0. They come from 6 different Cloverdale tracks.
Trinity Bellwoods → Take me Back · 11A → 10A · −1 BPM · 89 chemistry
28 of the 396 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 10 different Cloverdale tracks.
Ice Age - Extended Mix → I Need · 5A → 4A · same BPM · 87 chemistry
36 of the 858 transitions between these catalogues reach 80 chemistry. Chance would give 4.9. They come from 11 different Cloverdale tracks.
Lunatics → Sunflower Masta · 8A → 8A · same BPM · 92 chemistry
28 of the 880 transitions between these catalogues reach 80 chemistry. Chance would give 5.0. They come from 12 different Cloverdale tracks.
Back To That - Extended Mix → They Wanna Know · 2A → 2A · −1 BPM · 90 chemistry
25 of the 484 transitions between these catalogues reach 80 chemistry. Chance would give 2.8. They come from 10 different Cloverdale tracks.
Bakerstreet - Extended Mix → Live Wire - Extended Mix · 6B → 7A · −3 BPM · 85 chemistry
27 of the 880 transitions between these catalogues reach 80 chemistry. Chance would give 5.0. They come from 12 different Cloverdale tracks.
Open Up → On The Low · 8A → 7A · −2 BPM · 88 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Cloverdale by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Cloverdale, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Cloverdale's tracks in our catalog range from 124 to 145 BPM, with a median of 128 BPM. Across 22 tracks, the most common range falls in the 130–135 BPM bucket.
Cloverdale's tracks are mostly in minor keys (55% minor across 22 tracks). The most common single key is 8A (A Minor) with 3 tracks.
We scored every transition between Cloverdale's 22 analysed tracks and every track by 12,460 other artists. 277 catalogues clear the bar by more than chance would give, and AC Slater, Codes, Daniel Sbert are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Back To That - Extended Mix into Night Bass Thing (feat. Dell Harris), 2A to 1A, 89 chemistry.
Cloverdale sits closest to Stund, FREAK ON, Truth x Lies in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.