Artist profile
Clouds is a techno producer working in peak-time and driving styles. Their sound emphasizes propulsive rhythms and hypnotic structures characteristic of contemporary techno production.
Compare with another artistPlan a set with Clouds tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Clouds is a high-energy with strong groove and drive artist.
Sits right in the typical Techno (Peak Time / Driving) pocket.
Across 18 analysed tracks, Clouds averages 68% energy — harder than 59% of individual Techno (Peak Time / Driving) tracks — and 66% groove, straighter than 58%.
Measured against 25,003 Techno (Peak Time / Driving) tracks on 11 August 2026.
Most tracks sit between 68–160 BPM with a median of 130 · predominantly minor keys (78% minor) · most common key: 9A (E Minor) with 3 tracks.
How Clouds’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Techno (Peak Time / Driving) tempo.
Across Clouds's catalog, tempos have climbed from ~128 to ~145 BPM; warmth has lifted; energy has lifted.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Clouds’s 18 analysed tracks and every track by 12,460 other artists. 388 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
36 of the 720 transitions between these catalogues reach 80 chemistry. Chance would give 4.1. They come from 9 different Clouds tracks.
Chained to a Dead Camel → Seduction · 6A → 6A · +2 BPM · 92 chemistry
37 of the 684 transitions between these catalogues reach 80 chemistry. Chance would give 3.9. They come from 8 different Clouds tracks.
Those Cracks In Your Face, Do They Hurt? → Frontline - Nic Fanciulli Remix · 9A → 10A · −2 BPM · 88 chemistry
39 of the 720 transitions between these catalogues reach 80 chemistry. Chance would give 4.1. They come from 8 different Clouds tracks.
Those Cracks In Your Face, Do They Hurt? → Midi · 9A → 8A · −2 BPM · 90 chemistry
36 of the 720 transitions between these catalogues reach 80 chemistry. Chance would give 4.1. They come from 7 different Clouds tracks.
Chained to a Dead Camel → A Little More · 6A → 5B · same BPM · 91 chemistry
33 of the 648 transitions between these catalogues reach 80 chemistry. Chance would give 3.7. They come from 6 different Clouds tracks.
Elevator Girl → Penetrator · 11B → 12A · −1 BPM · 90 chemistry
33 of the 720 transitions between these catalogues reach 80 chemistry. Chance would give 4.1. They come from 8 different Clouds tracks.
Chained to a Dead Camel → Colon Clubbers · 6A → 6A · −2 BPM · 90 chemistry
39 of the 720 transitions between these catalogues reach 80 chemistry. Chance would give 4.1. They come from 7 different Clouds tracks.
Elevator Girl → Robots · 11B → 12B · same BPM · 90 chemistry
33 of the 666 transitions between these catalogues reach 80 chemistry. Chance would give 3.8. They come from 9 different Clouds tracks.
Elevator Girl → Canvas · 11B → 12A · same BPM · 93 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Clouds by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Clouds, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Clouds's tracks in our catalog range from 68 to 160 BPM, with a median of 130 BPM. Across 18 tracks, the most common range falls in the 130–135 BPM bucket.
Clouds's tracks are mostly in minor keys (78% minor across 18 tracks). The most common single key is 9A (E Minor) with 3 tracks.
We scored every transition between Clouds's 18 analysed tracks and every track by 12,460 other artists. 388 catalogues clear the bar by more than chance would give, and Filterheadz, Gregor Tresher, Julian Jeweil are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Chained to a Dead Camel into Seduction, 6A to 6A, 92 chemistry.
Clouds sits closest to Lethian Dreams, Aeonian Sorrow, Tommy Holohan in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Clouds releases spanning 2013 to 2025, with the most tracks from the 2010s.
