Artist profile
Chris Lorenzo is a bass house producer and DJ known for high-energy tracks that blend deep house grooves with heavy basslines. His work sits at the intersection of garage, grime, and contemporary house music, with releases across underground and established labels in the electronic music space.
Compare with another artistPlan a set with Chris Lorenzo tracks scored against the rest of the catalog
Chris Lorenzo is a high-energy with strong groove and drive and a bright production — mostly instrumental artist.
Sits right in the typical Bass House pocket.
Across 36 analysed tracks, Chris Lorenzo averages 69% groove — straighter than 61% of individual Bass House tracks.
Measured against 6,041 Bass House tracks on 11 August 2026.
Most tracks sit between 87–132 BPM with a median of 128 · predominantly minor keys (58% minor) · most common key: 8A (A Minor) with 4 tracks.
How Chris Lorenzo’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Bass House tempo.
Across Chris Lorenzo's catalog, energy has lifted; groove has deepened.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Chris Lorenzo’s 36 analysed tracks and every track by 12,460 other artists. 1,020 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
43 of the 1,440 transitions between these catalogues reach 80 chemistry. Chance would give 8.3. They come from 17 different Chris Lorenzo tracks.
Bota Bota - Extended Mix → Stand Up - Extended Mix · 8A → 8A · −2 BPM · 89 chemistry
43 of the 1,440 transitions between these catalogues reach 80 chemistry. Chance would give 8.3. They come from 11 different Chris Lorenzo tracks.
BaBaBa (Hangover) - Extended Mix → NO NO NO · 1A → 1A · same BPM · 92 chemistry
50 of the 1,440 transitions between these catalogues reach 80 chemistry. Chance would give 8.3. They come from 15 different Chris Lorenzo tracks.
Dash - AC Slater Remix → It's a Party - Extended Mix · 8A → 8A · −1 BPM · 88 chemistry
36 of the 648 transitions between these catalogues reach 80 chemistry. Chance would give 3.7. They come from 15 different Chris Lorenzo tracks.
Here Kitty feat. Dances with White Girls - Club Mix → Backstage · 7A → 7A · +2 BPM · 88 chemistry
41 of the 1,440 transitions between these catalogues reach 80 chemistry. Chance would give 8.3. They come from 14 different Chris Lorenzo tracks.
California Dreamin' feat. High Jinx - Extended Mix → Viciosa · 2A → 3A · same BPM · 89 chemistry
53 of the 1,440 transitions between these catalogues reach 80 chemistry. Chance would give 8.3. They come from 12 different Chris Lorenzo tracks.
BaBaBa (Hangover) - Extended Mix → Supersonic · 1A → 11B · −1 BPM · 88 chemistry
41 of the 1,440 transitions between these catalogues reach 80 chemistry. Chance would give 8.3. They come from 12 different Chris Lorenzo tracks.
BaBaBa (Hangover) - Extended Mix → Dos Locos · 1A → 1A · same BPM · 89 chemistry
58 of the 1,404 transitions between these catalogues reach 80 chemistry. Chance would give 8.1. They come from 16 different Chris Lorenzo tracks.
Dash - AC Slater Remix → Late Night · 8A → 8A · −2 BPM · 91 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Chris Lorenzo by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Chris Lorenzo, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Chris Lorenzo's tracks in our catalog range from 87 to 132 BPM, with a median of 128 BPM. Across 36 tracks, the most common range falls in the 130–135 BPM bucket.
Chris Lorenzo's tracks are mostly in minor keys (58% minor across 36 tracks). The most common single key is 8A (A Minor) with 4 tracks.
We scored every transition between Chris Lorenzo's 36 analysed tracks and every track by 12,460 other artists. 1,020 catalogues clear the bar by more than chance would give, and AC Slater, Angel Heredia, DJ Zinc are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Bota Bota - Extended Mix into Stand Up - Extended Mix, 8A to 8A, 89 chemistry.
Chris Lorenzo sits closest to Mau P, Chris Lake, Biscits in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Chris Lorenzo releases spanning 2014 to 2026, with the most tracks from the 2020s.