Artist profile
Bress Underground is a jackin house producer working within the stripped-down, groove-focused aesthetics of the genre. Their work emphasizes rhythmic precision and minimalist arrangement, drawing from house music's foundational elements.
Plan a set with Bress Underground tracks scored against the rest of the catalog
Bress Underground is a moderate-energy with strong groove and a bright production artist.
Sits right in the typical Jackin House pocket.
Across 15 analysed tracks, Bress Underground averages 89% groove — groovier than 69% of individual Jackin House tracks.
Measured against 5,565 Jackin House tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Bress Underground’s 15 analysed tracks and every track by 12,460 other artists. 460 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
67 of the 495 transitions between these catalogues reach 80 chemistry. Chance would give 2.8. They come from 10 different Bress Underground tracks.
Any Other Love → Constance · 8A → 8A · −1 BPM · 92 chemistry
71 of the 465 transitions between these catalogues reach 80 chemistry. Chance would give 2.7. They come from 9 different Bress Underground tracks.
Any Other Love → Do Your Thing · 8A → 8A · −1 BPM · 93 chemistry
73 of the 600 transitions between these catalogues reach 80 chemistry. Chance would give 3.4. They come from 7 different Bress Underground tracks.
Chick House → Broken Keys · 1A → 1A · −1 BPM · 91 chemistry
94 of the 600 transitions between these catalogues reach 80 chemistry. Chance would give 3.4. They come from 9 different Bress Underground tracks.
Steer You Wrong → Burn It Up · 7A → 7A · same BPM · 91 chemistry
69 of the 600 transitions between these catalogues reach 80 chemistry. Chance would give 3.4. They come from 10 different Bress Underground tracks.
Any Other Love → It's Bumpin' · 8A → 9A · −1 BPM · 91 chemistry
70 of the 525 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 10 different Bress Underground tracks.
What You Do → Here With You · 9A → 8A · −1 BPM · 90 chemistry
65 of the 600 transitions between these catalogues reach 80 chemistry. Chance would give 3.4. They come from 8 different Bress Underground tracks.
Any Other Love → Early Days Of House · 8A → 8A · −1 BPM · 93 chemistry
64 of the 465 transitions between these catalogues reach 80 chemistry. Chance would give 2.7. They come from 9 different Bress Underground tracks.
Any Other Love → Undeniable · 8A → 8A · −1 BPM · 92 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Bress Underground by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Bress Underground, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Bress Underground's tracks in our catalog range from 66 to 130 BPM, with a median of 128 BPM. Across 15 tracks, the most common range falls in the 130–135 BPM bucket.
Bress Underground's tracks are mostly in minor keys (87% minor across 15 tracks). The most common single key is 12A (C♯ Minor) with 2 tracks.
We scored every transition between Bress Underground's 15 analysed tracks and every track by 12,460 other artists. 460 catalogues clear the bar by more than chance would give, and Agent Stereo, AtLows, Barney Osborn are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Any Other Love into Constance, 8A to 8A, 92 chemistry.
Bress Underground sits closest to Marc Cotterell, Ruff Stuff, Sakro in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.