Artist profile
Bad Company is a drum and bass producer and DJ known for work within the genre's neurofunk and liquid subgenres. The artist has maintained an active presence in the drum and bass community through releases and performances.
Compare with another artistPlan a set with Bad Company UK tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Bad Company UK is a high-energy and a bright production artist.
Sits right in the typical Drum & Bass pocket.
Across 13 analysed tracks, Bad Company UK averages 37% groove — straighter than 63% of individual Drum & Bass tracks.
Measured against 23,150 Drum & Bass tracks on 11 August 2026.
How Bad Company UK’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Drum & Bass tempo.
Across Bad Company UK's catalog, production has brightened; warmth has lifted; energy has lifted.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Bad Company UK’s 13 analysed tracks and every track by 12,460 other artists. 669 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
82 of the 520 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 12 different Bad Company UK tracks.
88 of the 520 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 11 different Bad Company UK tracks.
88 of the 520 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 11 different Bad Company UK tracks.
Bullet Time - Spor Remix → Natural Way · 2B → 2B · +1 BPM · 90 chemistry
86 of the 520 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 11 different Bad Company UK tracks.
Bullet Time - Spor Remix → Half Life · 2B → 3B · +1 BPM · 88 chemistry
90 of the 520 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 12 different Bad Company UK tracks.
4 Days → Back to the Rave · 5A → 4A · same BPM · 92 chemistry
89 of the 520 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 11 different Bad Company UK tracks.
4 Days → Ground Shaker · 5A → 6A · +1 BPM · 90 chemistry
97 of the 520 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 11 different Bad Company UK tracks.
4 Days → Holding On Ft. Matt Wilson · 5A → 4A · +1 BPM · 91 chemistry
82 of the 442 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 11 different Bad Company UK tracks.
Spider - Optiv & BTK Remix → Bang Your Head · 11A → 10A · −1 BPM · 90 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Bad Company UK by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Bad Company UK, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Bad Company UK's tracks in our catalog range from 65 to 152 BPM, with a median of 87 BPM. Across 13 tracks, the most common range falls in the 85–90 BPM bucket.
Bad Company UK's tracks are mostly in minor keys (62% minor across 13 tracks). The most common single key is 5A (C Minor) with 2 tracks.
We scored every transition between Bad Company UK's 13 analysed tracks and every track by 12,460 other artists. 669 catalogues clear the bar by more than chance would give, and 1991, Amoss, Break are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: 4 Days into Bad, 5A to 4A, 90 chemistry.
Bad Company UK sits closest to Ram Trilogy, Dillinja, Ed Rush & Optical in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Bad Company UK releases spanning 1998 to 2025, with the most tracks from the 2010s.
