Artist profile
Azotix is a drum and bass producer working within the genre's fast-breakbeat and bass-heavy traditions. Their sound engages with contemporary drum and bass production aesthetics and design.
Compare with another artistPlan a set with Azotix tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Azotix is a high-energy — mostly instrumental artist.
Unusually low warmth for Drum & Bass.
Across 8 analysed tracks, Azotix averages 64% energy — harder than 60% of individual Drum & Bass tracks — and 45% groove, groovier than 60%.
Measured against 23,150 Drum & Bass tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Azotix’s 8 analysed tracks and every track by 12,460 other artists. 480 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
51 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 6 different Azotix tracks.
47 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 6 different Azotix tracks.
49 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 5 different Azotix tracks.
Tusk → Dreamers (feat. L.I.T.A.) - L-Side Remix · 8A → 8A · same BPM · 91 chemistry
48 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 5 different Azotix tracks.
Tusk → What If Ft. René - Ed:It Remix · 8A → 7A · −1 BPM · 89 chemistry
49 of the 312 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 6 different Azotix tracks.
Glares → The View feat. LSB and Tyler Daley - Calibre Remix · 1A → 1A · same BPM · 92 chemistry
52 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 5 different Azotix tracks.
GMAT → Gold Digger · 5B → 5B · same BPM · 92 chemistry
46 of the 320 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 6 different Azotix tracks.
GMAT → A Penny for My Thoughts · 5B → 5B · −1 BPM · 92 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Azotix by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Azotix, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Azotix's tracks in our catalog range from 70 to 87 BPM, with a median of 87 BPM. Across 8 tracks, the most common range falls in the 85–90 BPM bucket.
Azotix's tracks are mostly in minor keys (50% minor across 8 tracks). The most common single key is 5B (E♭ Major) with 3 tracks.
We scored every transition between Azotix's 8 analysed tracks and every track by 12,460 other artists. 480 catalogues clear the bar by more than chance would give, and Alibi, Amoss, Bcee are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: GMAT into Skyline, 5B to 5B, 93 chemistry.
Azotix sits closest to The Sauce, Objectiv, Harley D in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
