Artist profile
Jackin House producer and DJ.
Plan a set with Nate Laurence tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Nate Laurence is a moderate-energy with strong groove and a bright production artist.
Sits right in the typical Jackin House pocket.
Across 14 analysed tracks, Nate Laurence averages 42% energy — gentler than 80% of individual Jackin House tracks — and 77% groove, straighter than 67%.
Measured against 5,565 Jackin House tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Nate Laurence’s 14 analysed tracks and every track by 12,460 other artists. 346 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
157 of the 560 transitions between these catalogues reach 80 chemistry. Chance would give 3.2. They come from 14 different Nate Laurence tracks.
Temple Of Dance → Heart & Mind · 4B → 5A · −1 BPM · 92 chemistry
109 of the 560 transitions between these catalogues reach 80 chemistry. Chance would give 3.2. They come from 14 different Nate Laurence tracks.
Get Me Some → Californication · 6A → 6A · −2 BPM · 92 chemistry
98 of the 560 transitions between these catalogues reach 80 chemistry. Chance would give 3.2. They come from 13 different Nate Laurence tracks.
Rinse - Pivot Mix → I Got What · 11A → 10B · +1 BPM · 90 chemistry
95 of the 518 transitions between these catalogues reach 80 chemistry. Chance would give 3.0. They come from 14 different Nate Laurence tracks.
Get Me Some → Jackground · 6A → 5A · −2 BPM · 91 chemistry
93 of the 560 transitions between these catalogues reach 80 chemistry. Chance would give 3.2. They come from 13 different Nate Laurence tracks.
Stank Face (House Anthem) → Get Hype · 3A → 3A · same BPM · 92 chemistry
112 of the 560 transitions between these catalogues reach 80 chemistry. Chance would give 3.2. They come from 13 different Nate Laurence tracks.
Rendezvous - Club Edit → Twisted · 2A → 1A · same BPM · 91 chemistry
90 of the 490 transitions between these catalogues reach 80 chemistry. Chance would give 2.8. They come from 13 different Nate Laurence tracks.
Rinse - Pivot Mix → Good Thing · 11A → 11A · +1 BPM · 93 chemistry
85 of the 462 transitions between these catalogues reach 80 chemistry. Chance would give 2.6. They come from 14 different Nate Laurence tracks.
Stank Face (House Anthem) → Get Up · 3A → 2A · +1 BPM · 91 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Nate Laurence by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Nate Laurence, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Nate Laurence's tracks in our catalog range from 125 to 128 BPM, with a median of 126 BPM. Across 14 tracks, the most common range falls in the 125–130 BPM bucket.
Nate Laurence's tracks are mostly in minor keys (79% minor across 14 tracks). The most common single key is 6A (G Minor) with 4 tracks.
We scored every transition between Nate Laurence's 14 analysed tracks and every track by 12,460 other artists. 346 catalogues clear the bar by more than chance would give, and Barney Osborn, Chemars, Denats are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Temple Of Dance into Heart & Mind, 4B to 5A, 92 chemistry.
Nate Laurence sits closest to Scrubfish, Wattie Green, The Sound Diggers in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
