Artist profile
Trance (Raw / Deep / Hypnotic) producer and DJ.
Compare with another artistPlan a set with Abstraxion tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
Abstraxion is a moderate-energy with strong groove and drive — mostly instrumental artist.
Sits right in the typical Trance (Raw / Deep / Hypnotic) pocket.
Across 10 analysed tracks, Abstraxion averages 69% groove — straighter than 66% of individual Trance (Raw / Deep / Hypnotic) tracks.
Measured against 3,409 Trance (Raw / Deep / Hypnotic) tracks on 11 August 2026.
Most tracks sit between 95–145 BPM with a median of 124 · predominantly major keys (30% minor) · most common key: 12B (E Major) with 2 tracks.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between Abstraxion’s 10 analysed tracks and every track by 12,460 other artists. 3 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 3 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
11 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 3 different Abstraxion tracks.
Nietzsche's Future → I Know · 2B → 3A · −2 BPM · 85 chemistry
10 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 4 different Abstraxion tracks.
I Can't → Not Listening - DJ-Kicks · 3A → 3B · same BPM · 85 chemistry
10 of the 400 transitions between these catalogues reach 80 chemistry. Chance would give 2.3. They come from 3 different Abstraxion tracks.
Nietzsche's Future → Rasss · 2B → 1B · same BPM · 85 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to Abstraxion by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around Abstraxion, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
Abstraxion's tracks in our catalog range from 95 to 145 BPM, with a median of 124 BPM. Across 10 tracks, the most common range falls in the 125–130 BPM bucket.
Abstraxion's tracks are mostly in major keys (30% minor across 10 tracks). The most common single key is 12B (E Major) with 2 tracks.
We scored every transition between Abstraxion's 10 analysed tracks and every track by 12,460 other artists. 3 catalogues clear the bar by more than chance would give, and Adana Twins, Maya Jane Coles, Red Axes are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Nietzsche's Future into I Know, 2B to 3A, 85 chemistry.
Abstraxion sits closest to Bloum, Soul Keita, Jinjé in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has Abstraxion releases spanning 2016 to 2019, with the most tracks from the 2010s.
