Artist profile
Trap / Future Bass producer and DJ.
Plan a set with A-Par tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
A-Par is a high-energy artist.
Unusually high energy for Trap / Future Bass.
Across 11 analysed tracks, A-Par averages 73% energy — harder than 87% of individual Trap / Future Bass tracks — and 29% groove, straighter than 76%.
Measured against 8,278 Trap / Future Bass tracks on 11 August 2026.
Most tracks sit between 88–150 BPM with a median of 135 · predominantly major keys (45% minor) · most common key: 5B (E♭ Major) with 2 tracks.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between A-Par’s 11 analysed tracks and every track by 12,460 other artists. 13 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
11 of the 220 transitions between these catalogues reach 80 chemistry. Chance would give 1.3. They come from 6 different A-Par tracks.
SAPUTA → IN MY HEAD · 7B → 7A · +6 BPM · 85 chemistry
11 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 6 different A-Par tracks.
14 of the 319 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 4 different A-Par tracks.
11 of the 341 transitions between these catalogues reach 80 chemistry. Chance would give 2.0. They come from 4 different A-Par tracks.
PA TRA → Just Dawn Hue · 10A → 9B · same BPM · 89 chemistry
11 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 6 different A-Par tracks.
UMA → Mash It Up! · 10B → 11A · same BPM · 88 chemistry
12 of the 308 transitions between these catalogues reach 80 chemistry. Chance would give 1.8. They come from 7 different A-Par tracks.
22 of the 440 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 7 different A-Par tracks.
11 of the 209 transitions between these catalogues reach 80 chemistry. Chance would give 1.2. They come from 6 different A-Par tracks.
KINGSLAYER → vision (wish u could see) · 8B → 9A · +5 BPM · 84 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to A-Par by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around A-Par, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
A-Par's tracks in our catalog range from 88 to 150 BPM, with a median of 135 BPM. Across 11 tracks, the most common range falls in the 135–140 BPM bucket.
A-Par's tracks are mostly in major keys (45% minor across 11 tracks). The most common single key is 5B (E♭ Major) with 2 tracks.
We scored every transition between A-Par's 11 analysed tracks and every track by 12,460 other artists. 13 catalogues clear the bar by more than chance would give, and Blvze, Deadcrow, Fabian Mazur are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: SAPUTA into IN MY HEAD, 7B to 7A, 85 chemistry.
A-Par sits closest to まりつみ, Anayamasoh, ガネメ in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
