Artist profile
WINK is a trap and future bass producer known for atmospheric, bass-heavy production that blends melodic elements with hard-hitting percussion. Their work spans both instrumental and vocal-driven tracks within the electronic music space.
Compare with another artistPlan a set with WINK (US) tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
WINK (US) is a high-energy and a bright production — mostly instrumental artist.
Sits right in the typical Trap / Future Bass pocket.
Across 19 analysed tracks, WINK (US) averages 71% energy — harder than 85% of individual Trap / Future Bass tracks — and 27% groove, straighter than 79%.
Measured against 8,278 Trap / Future Bass tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between WINK (US)’s 19 analysed tracks and every track by 12,460 other artists. 41 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
22 of the 760 transitions between these catalogues reach 80 chemistry. Chance would give 4.4. They come from 11 different WINK (US) tracks.
CANT TAKE BACK → Time Warp (feat. Sami Chaouki) · 2A → 2A · −4 BPM · 85 chemistry
19 of the 380 transitions between these catalogues reach 80 chemistry. Chance would give 2.2. They come from 9 different WINK (US) tracks.
19 of the 456 transitions between these catalogues reach 80 chemistry. Chance would give 2.6. They come from 10 different WINK (US) tracks.
vision (wish u could see) → BUZZING! · 9A → 9A · −5 BPM · 85 chemistry
21 of the 437 transitions between these catalogues reach 80 chemistry. Chance would give 2.5. They come from 7 different WINK (US) tracks.
CANT TAKE BACK → ROCKIN 2 RHYTHM · 2A → 1B · same BPM · 88 chemistry
31 of the 760 transitions between these catalogues reach 80 chemistry. Chance would give 4.4. They come from 13 different WINK (US) tracks.
fukUup → SMACK TALK · 7A → 7A · −1 BPM · 90 chemistry
18 of the 304 transitions between these catalogues reach 80 chemistry. Chance would give 1.7. They come from 10 different WINK (US) tracks.
23 of the 760 transitions between these catalogues reach 80 chemistry. Chance would give 4.4. They come from 7 different WINK (US) tracks.
20 of the 418 transitions between these catalogues reach 80 chemistry. Chance would give 2.4. They come from 9 different WINK (US) tracks.
TELLMEWHY → Angels Crest · 11A → 12A · same BPM · 87 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to WINK (US) by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around WINK (US), then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
WINK (US)'s tracks in our catalog range from 70 to 150 BPM, with a median of 140 BPM. Across 19 tracks, the most common range falls in the 140–145 BPM bucket.
WINK (US)'s tracks are mostly in minor keys (89% minor across 19 tracks). The most common single key is 2A (E♭ Minor) with 4 tracks.
We scored every transition between WINK (US)'s 19 analysed tracks and every track by 12,460 other artists. 41 catalogues clear the bar by more than chance would give, and Apashe, Blvze, Moore Kismet are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: CANT TAKE BACK into Time Warp (feat. Sami Chaouki), 2A to 2A, 85 chemistry.
WINK (US) sits closest to 荻野目洋子, 工藤静香, 森高千里 in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
