Artist profile
6lack is a trap and future bass producer who creates atmospheric, introspective beats characterized by spacious production and moody synth work. His sound blends elements of cloud rap and experimental hip-hop with a focus on mood and texture over conventional song structures.
Compare with another artistPlan a set with 6lack tracks scored against the rest of the catalog
Mixgraph for iOS — chemistry-scored DJ planning.
6lack is a moderate-energy — mostly instrumental artist.
Sits right in the typical Trap / Future Bass pocket.
Across 9 analysed tracks, 6lack averages 53% energy — gentler than 65% of individual Trap / Future Bass tracks — and 45% groove, groovier than 59%.
Measured against 8,278 Trap / Future Bass tracks on 11 August 2026.
Most tracks sit between 79–160 BPM with a median of 99 · predominantly minor keys (67% minor) · most common key: 9B (G Major) with 2 tracks.
How 6lack’s production has shifted across their catalog. The radar overlays earlier and recent eras as one shape, the year-by-year chart shows every metric move, and the tempo trend tracks the BPM migration against the typical Trap / Future Bass tempo.
Across 6lack's catalog, tempos have climbed from ~86 to ~160 BPM; groove has deepened; warmth has lifted.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between 6lack’s 9 analysed tracks and every track by 12,460 other artists. 3 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 3 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
11 of the 360 transitions between these catalogues reach 80 chemistry. Chance would give 2.1. They come from 3 different 6lack tracks.
PINACOLADA → Onyeka (Baby) · 9A → 10B · +3 BPM · 84 chemistry
11 of the 261 transitions between these catalogues reach 80 chemistry. Chance would give 1.5. They come from 5 different 6lack tracks.
Switch - DEVAULT Remix → Chaos · 8A → 7B · same BPM · 85 chemistry
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to 6lack by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around 6lack, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
6lack's tracks in our catalog range from 79 to 160 BPM, with a median of 99 BPM. Across 9 tracks, the most common range falls in the 100–105 BPM bucket.
6lack's tracks are mostly in minor keys (67% minor across 9 tracks). The most common single key is 9B (G Major) with 2 tracks.
We scored every transition between 6lack's 9 analysed tracks and every track by 12,460 other artists. 3 catalogues clear the bar by more than chance would give, and Burna Boy, Fabian Mazur, Wizkid are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: PINACOLADA into Onyeka (Baby), 9A to 10B, 84 chemistry.
6lack sits closest to SAINt JHN, Bryson Tiller, Roy Woods in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.
Our catalog has 6lack releases spanning 2018 to 2026, with the most tracks from the 2020s.
