Artist profile
11th Hour is a producer working in deep dubstep and grime, crafting atmospheric, bass-heavy soundscapes within the UK electronic music sphere. The artist's work emphasizes textural depth and rhythmic precision across the 140 BPM spectrum.
Compare with another artistDJ terms on this page: Chemistry · Extended mix · Remix · VIP · Full glossary
Plan a set with 11Th Hour tracks scored against the rest of the catalog
11Th Hour is a high-energy with strong drive — mostly instrumental artist.
Unusually high energy for 140 / Deep Dubstep / Grime.
Across 19 analysed tracks, 11Th Hour averages 73% energy — harder than 89% of individual 140 / Deep Dubstep / Grime tracks — and 42% groove, groovier than 58%.
Measured against 4,816 140 / Deep Dubstep / Grime tracks on 11 August 2026.
Missing one of theirs?
We'll add it — the artist is already in the catalogue, so it lands fast
We scored every transition between 11Th Hour’s 19 analysed tracks and every track by 12,460 other artists. 109 catalogues clear the bar — a transition counts at 80 chemistry or above, the same number you’ll see on any track page. The 8 with the widest margin over chance are below.
Chance is measured, not assumed: 0.573% of transitions between two randomly drawn tracks by different artists in this catalogue reach 80. Listed alphabetically — the set is reproducible, the order inside it is not.
39 of the 722 transitions between these catalogues reach 80 chemistry. Chance would give 4.1. They come from 15 different 11Th Hour tracks.
48 of the 760 transitions between these catalogues reach 80 chemistry. Chance would give 4.4. They come from 10 different 11Th Hour tracks.
Fragments → Tokyo Hyaku Synchronicity #76 Night Visitors · 3A → 3A · same BPM · 88 chemistry
33 of the 570 transitions between these catalogues reach 80 chemistry. Chance would give 3.3. They come from 15 different 11Th Hour tracks.
Immortals - VIP → Bold · 12B → 12B · same BPM · 91 chemistry
36 of the 760 transitions between these catalogues reach 80 chemistry. Chance would give 4.4. They come from 13 different 11Th Hour tracks.
Kryptonite → Overtone · 12A → 11A · same BPM · 84 chemistry
32 of the 760 transitions between these catalogues reach 80 chemistry. Chance would give 4.4. They come from 9 different 11Th Hour tracks.
Access Denied → Into the Darkness · 8A → 8A · same BPM · 90 chemistry
37 of the 494 transitions between these catalogues reach 80 chemistry. Chance would give 2.8. They come from 13 different 11Th Hour tracks.
Immortals - VIP → Block By Block · 12B → 12B · same BPM · 90 chemistry
38 of the 760 transitions between these catalogues reach 80 chemistry. Chance would give 4.4. They come from 14 different 11Th Hour tracks.
Chemistry weighs harmonic, rhythmic, energy, groove, mood and vocal compatibility. Tempos are as analysed from the recording — where a genre is habitually detected an octave down, this is how we handle it. Different measurement from the audience-overlap list further down the page.
DJs and producers closest to 11Th Hour by audience overlap — the artists their listeners also play. It’s a taste signal, not a measured key-and-tempo match: good for shortlisting crates when you’re prepping a set around 11Th Hour, then check the chemistry on the pair you actually mix. Eligible names link to their own page.
Similarity data from Last.fm. BPM, key and energy on this page are measured from the recordings in our catalog.
11Th Hour's tracks in our catalog range from 70 to 140 BPM, with a median of 140 BPM. Across 19 tracks, the most common range falls in the 140–145 BPM bucket.
11Th Hour's tracks are mostly in minor keys (84% minor across 19 tracks). The most common single key is 8A (A Minor) with 3 tracks.
We scored every transition between 11Th Hour's 19 analysed tracks and every track by 12,460 other artists. 109 catalogues clear the bar by more than chance would give, and Abstrakt Sonance, Cam Lasky, Distinct Motive are three of them — listed alphabetically, because the set is reproducible and the order inside it is not. A transition counts at 80 chemistry or above, the same number shown on a track page. One measured example: Takeoff into Snipa, 7A to 6A, 88 chemistry.
11Th Hour sits closest to Overhype, Miclordz & Sauce Funky, Agony Of Defeat in our catalog. That ranking is audience overlap — the artists their listeners also play — rather than a measured key-and-tempo match, so treat it as a shortlist worth digging through, not a promise that any two tracks will beatmatch. The full list, with track counts, is in the Related artists section above.